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Sin City: A Dame To Kill For
about an city which is full of sin caused by mercenary corrupt polices and notorious criminal, together with unrighteous enterprises which consider person as an item for trading. How is the destiny of this city going to be?
11 March 1975, Harrisburg, Pennsylvania, USA
2 June 1954, San Mateo, California, USA
September 20, 1978 in Houston, Texas, USA
18 May 1982, Silverspring, Maryland, USA
28 April 1981, Pomona, California, USA
27 August 1988, Miami, Florida, USA
19 March 1955, Idar-Oberstein, West Germany
2 June 1941, Savannah, Georgia, USA
18 December 1954, Newark, New Jersey, USA
30 June 1966, Invercargill, New Zealand
10 April 1983, San Francisco, California, USA
18 July 1971, Houston, Texas, USA
13 September 1963, Chicago, Illinois, USA
July 14, 2016
Sin City: A Dame to Kill For isn't for the weak-kneed. It's a punch to the gut, a cigarette burn on the soul.
August 28, 2014
Reviewers were forbidden from posting a word about this sequel until opening day, lest we give away the shocking secret that it's a carbon copy of its predecessor.
August 22, 2014
You don't expect to be exhausted by reams of soul-sick narration and artful chiaroscuro compositions, but that's what happens.
June 18, 2016
The duration between the first film and its sequel doesn't fully explain the new film's flaws, it's quite instructive when examining the reactions to them.
May 09, 2017
A bad movie that overshadows what Miller can still give and which shelters the expectations of those who waited so long to receive so little. [Full review in Spanish]
September 22, 2016
To call Sin City noir is to misunderstand the genre, as perhaps Miller does. Each story ends pretty simply-in brutal fighting and murder-and lacks genuine intrigue or ambiguity.
August 22, 2014
There are a handful of ways in which A Dame to Kill For actually improves on the first movie. Alas, none are enough to prevent it from being a substantial disappointment.
March 27, 2017
The film attempts to emulate the languid pace of classic noir, but lacks the narrative complexity or compelling dialogue of its forebears.
April 18, 2016
Do your summer a favor, and plan to detour around Sin City. Unless, of course, you're determined to visit the feel-bad hit of the decade.
August 22, 2014
Miller's original comic-book frames serve narrative functions, but these movies are all grabby graphics, devoid of compelling style.
May 11, 2016
With Sin City: A Dame to Kill For... you can't take your eyes off the hyper-stylised fetishism on-screen... but you'll find it difficult to remember anything afterwards. This is instant gratification, a hard drug for the eyes.
August 22, 2014
A Dame To Kill For isn't likely to create converts out of those uninterested in the pulpy side of fiction. But it more than earns its keep in terms of lavishing love, mildly ironic as well as pretty damn earnest, on pumped-up noir.
