Into The Night
While depressed insomniac Ed Okin drives to after knowing that his wife cheats on him, he meets Diana who arrives with six smuggled emeralds in tow and is immediately welcomed by several hired assassins.
12 March 1928, London, England, UK
7 June 1937, New York, USA
16 November 1928, Holdenville, Oklahoma, USA
15 August 1961, Chicago, Illinois, USA
26 November 1920, Glace Bay, Nova Scotia, Canada
14 October 1916, New Haven, Connecticut, USA
25 October 1906, Brooklyn, New York, USA
29 April 1958, Santa Ana, California, USA
26 October 1912, Chicago, Illinois, USA
27 March 1942, Berkeley, California, USA
3 August 1950, Chicago, Illinois, USA
26 November 1964, New Orleans, Louisiana, USA
18 December 1938, Los Angeles, California, USA
15 March 1943, Toronto, Ontario, Canada
8 December 1950, Binghamton, New York, USA
29 February 1948, Texas, USA
24 July 1935, Philadelphia, Pennsylvania, USA
April 17, 2005
Strange ensemble noir comedy chase flick.
April 21, 2007
Pfeiffer in particular takes the sort of glamorous yet preposterous part that generally defeats even the best actress and somehow contrives to make it credible every inch of the way.
May 03, 2016
Because of all the cameos and in-jokes, this gimmicky weightless film should appeal to mostly film buffs.
August 21, 2004
An uninteresting and off-putting movie.
April 10, 2008
The tone, despite the frequent bloodletting, is light, and the film works better than the script would indicate.
April 10, 2008
The film itself tries sometimes too hard for laughs and at other times strains for shock.
October 23, 2004
Maybe what the movie needed was more professional discipline and less geniality. As a rule, it's probably better to throw the party after the filming is finished.
March 03, 2006
Landis at his most cameo-obsessed and self-indulgent.
January 01, 2000
Thin and familiar.
May 24, 2003
Even the glossy photography and Pfeiffer's convincing performance can't make this add up to more than its slightly amusing parts.
May 20, 2003
A little bit of Into the Night is funny, a lot of it is grotesque and all of it has the insidey manner of a movie made not for the rest of us but for moviemakers on the Bel Air circuit who watch each other's films in their own screening rooms.
