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John Landis

John Landis

Birthday: 3 August 1950, Chicago, Illinois, USA
Height: 178 cm

John Landis began his career in the mail room of 20th Century-Fox. A high-school dropout, 18-year-old Landis made his way to Yugoslavia to work as a production assistant on Kelly's Heroes (1970). ...Show More

John Landis
The Thing (1982) is a terrific movie, probably John Carpenter's best The Thing (1982) is a terrific movie, probably John Carpenter's best
When 'Animal House' turned out the way it did, they all rushed to me with barrels of money begging m Show more When 'Animal House' turned out the way it did, they all rushed to me with barrels of money begging me to make them rich. Hide
I've had people come up to me and say Jake and Elwood Blues are these legendary blues artists and I Show more I've had people come up to me and say Jake and Elwood Blues are these legendary blues artists and I start thinking 'uh-oh'. Hide
I still think that The Exorcist (1973) is the scariest movie I ever saw. However I have never walked Show more I still think that The Exorcist (1973) is the scariest movie I ever saw. However I have never walked away from a movie uneasy - I've been creeped out during the movie, but once I leave the cinema, it's more about my next meal. Hide
[on superstars] I've worked with Paul McCartney, and Michael Jackson, and The Blues Brothers, and Da Show more [on superstars] I've worked with Paul McCartney, and Michael Jackson, and The Blues Brothers, and David Bowie, and a lot of people that have gone through that experience, and man I think it's difficult to remain sane under those circumstances. When you see what happened to Elvis Presley - I mean, I understand it, but with that level of stardom, and that level of celebrity, it's a miracle if you can make it through it with any sense of sanity after that. Hide
(On The 7th Voyage of Sinbad) The reason it changed my life, and it really did-I had complete suspen Show more (On The 7th Voyage of Sinbad) The reason it changed my life, and it really did-I had complete suspension of disbelief. Really, I was eight years old, and it transported me. I was on that beach running from that dragon, fighting that Cyclops. It just really dazzled me and I bought it completely. All my energy and efforts were to be a filmmaker, and it was because of that film. Hide
On working with Eddie Murphy on Trading Places (1983): His effect was dazzling. There was a "ding!" Show more On working with Eddie Murphy on Trading Places (1983): His effect was dazzling. There was a "ding!" when he walked on, almost like Marilyn Monroe. Hide
The [movie industry] ratings board reflect[s] the morals of the times. So now, with Reagan as presid Show more The [movie industry] ratings board reflect[s] the morals of the times. So now, with Reagan as president, it's all right to shred children, but bare breasts are pretty disgusting. The morality of the times is deeply sick. American Film Institute speech, January 27, 1982 Hide
I've done every job there is to do on a movie set except makeup. Wait a minute, I've done makeup. I' Show more I've done every job there is to do on a movie set except makeup. Wait a minute, I've done makeup. I've done every job there is to do on a movie set except hairdressing. Hide
See American Werewolf (In London) is not a comedy. People keep calling it a comedy, it's very funny Show more See American Werewolf (In London) is not a comedy. People keep calling it a comedy, it's very funny I hope, but it is a horror film. We meet these guys in a truckload of sheep. This is not subtle. I mean these boys are dead by the end of the movie. That's not really a happy tale. Hide
I always loved those 1960s films and the things Richard Lester had done with The Beatles, and I conc Show more I always loved those 1960s films and the things Richard Lester had done with The Beatles, and I conceived An American Werewolf in London (1981) with that spirit in mind. London was horror central, of course, home of Jack the Ripper, Jekyll and Hyde, so I wanted all that Victorian Gothic, but I also wanted to show the real London of 1981. Hide
[on Blues Brothers 2000 (1998)] I never had that experience before, where committees are telling me Show more [on Blues Brothers 2000 (1998)] I never had that experience before, where committees are telling me what they're going to do. What I should have done is quit, but instead - out of loyalty to Danny [Aykroyd] - I finished the movie. We had fabulous music - I'm proud of the music - but by the time we were shooting, the movie was fucked. Hide
In 1991: "I live with the "Twilight Zone" every day of my life." In 1991: "I live with the "Twilight Zone" every day of my life."
On working with Eddie Murphy in Coming to America (1988): Eddie is an immensely overpowering talent. Show more On working with Eddie Murphy in Coming to America (1988): Eddie is an immensely overpowering talent. But if you can imagine a nuclear plant, that energy is productive as long as it's contained. And if Eddie's not contained, he's gonna blow. Hide
The new versions of The Texas Chainsaw Massacre (2003) and The Last House on the Left (2009) looked Show more The new versions of The Texas Chainsaw Massacre (2003) and The Last House on the Left (2009) looked like shampoo commercials. Hide
[Commenting on visiting Paramount for the first time in years.] "I felt like Norma Desmond." [Commenting on visiting Paramount for the first time in years.] "I felt like Norma Desmond."
[on the death of Michael Jackson] I was lucky enough to know and work with Michael Jackson in his pr Show more [on the death of Michael Jackson] I was lucky enough to know and work with Michael Jackson in his prime. Michael was an extraordinary talent and a truly great international star. He had a troubled and complicated life and despite his gifts, remains a tragic figure. My wife Deborah and I will always have great affection for him. Hide
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