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ACTORS OF "Black Hollywood: They've Gotta Have Us - Season 1"
Diahann Carroll
Diahann Carroll

17 July 1935, The Bronx, New York City, New York, USA

Reggie Rock Bythewood
Reggie Rock Bythewood

7 July 1965, Bronx, New York, USA

Jill Scott
Jill Scott

4 April 1972, Philadelphia, Pennsylvania, USA

Cuba Gooding Jr.
Cuba Gooding Jr.

2 January 1968, The Bronx, New York City, New York, USA

Nathalie Emmanuel
Nathalie Emmanuel

2 March 1989, Southend-on-Sea, Essex, England, UK

Nelson George
Nelson George

1 September 1957, Brooklyn, New York, USA

Brian White
Brian White

21 April 1975, Boston, Massachusetts, USA

Jesse Williams
Jesse Williams

5 August 1981, Chicago, Illinois, USA

David Harewood
David Harewood

8 December 1965, Birmingham, England, UK

Ruth E. Carter
Ruth E. Carter

10 April 1960, Springfield, Massachusetts, USA

Taylor Hackford
Taylor Hackford

31 December 1944, Santa Barbara, California, USA

Barry Jenkins
Barry Jenkins

19 November 1979, Miami, Florida, USA

Shola Lynch
Shola Lynch

Menelik Shabazz
Menelik Shabazz

1954 in Barbados

Debbie Allen
Debbie Allen

16 January 1950, Houston, Texas, USA

Femi Oguns
Femi Oguns

Earl Cameron
Earl Cameron

8 August 1917, Pembroke, Bermuda

David Gyasi
David Gyasi

2 January 1980, Hammersmith, London, England, UK

John Singleton
John Singleton

6 January 1968, Los Angeles, California, USA

Gina Prince-Bythewood
Gina Prince-Bythewood

10 June 1969, USA

Will.i.am
Will.i.am

15 March 1975, Los Angeles, California, USA

Delroy Lindo
Delroy Lindo

18 November 1952, Eltham, London, England, UK

Don Cheadle
Don Cheadle

29 November 1964, Kansas City, Missouri, USA

Jussie Smollett
Jussie Smollett

21 June 1983, Santa Rosa, California, USA

Simon Frederick
Simon Frederick

LilRel Howery
LilRel Howery

John Boyega
John Boyega

17 March 1992, Peckham, London, England, UK

Boots Riley
Boots Riley

April1971, Chicago, Illinois, USA

Whoopi Goldberg
Whoopi Goldberg

13 November 1955, New York City, New York, USA

Ernest R. Dickerson
Ernest R. Dickerson

25 June 1951, Newark, New Jersey, USA

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Black Hollywood: They've Gotta Have Us - Season 1
CRITICS OF "Black Hollywood: They've Gotta Have Us - Season 1"
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The Fog of Truth
Resource

March 05, 2020

I'm really glad that this series exists, because ... it tells an important, often unknown history of the movies.
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TIME Magazine
Resource

February 28, 2020

This isn't a simple story, but it's a crucial and lively one, made all the more relevant by the current renaissance in black filmmaking.
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Daily Telegraph (UK)
Resource

October 16, 2018

The rush to reach the modern era meant significant, unfortunate omissions - perhaps Paul Robeson proved too complex a character to crowbar into the scattershot narrative - but the narrators were still inspiring, their stories indubitably worth hearing.
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Film Threat
Resource

February 13, 2020

They've Gotta Have Us ultimately succeeds in reiterating the artistry and colossal influence of Black Cinema.
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Common Sense Media
Resource

March 27, 2020

Powerful, sensitive, and fascinating, this docuseries focuses on a serious, important topic, but its talking-head interviews are so lively and fresh that it's a joy to watch instead of ponderous.
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RogerEbert.com
Resource

February 04, 2020

Frederick fashions a collage of Blackness never before seen on either side of the pond.
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Salon.com
Resource

February 06, 2020

In touching on many topics but only substantively granting insights into a few of them, the finished product comes across as unfocused and incomplete.
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Radio Times
Resource

March 27, 2020

This series makes you want to seek out so many great films again - or for the first time.
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CNN.com
Resource

February 05, 2020

As a documentary about black history in movies reminds us, the Oscars provide only one of the more visible and symbolic manifestations of where and how progress needs to be made.
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AARP Movies for Grownups
Resource

February 06, 2020

They've Gotta Have Us shows exhilaratingly that a growing number of black filmmakers are moving us in the right direction.
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AV Club
Resource

February 05, 2020

Black filmmakers have been making these points for decades, and the success of Black art shouldn't be equated to how profitable or relatable it is to white audiences. [It] often fails to tell what feels like an entire story because of this limited focus.
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