Underworld: Blood Wars
Death merchant Selene must battle off ruthless assaults from both the Lycan group and the vampire group that double-crossed her. Uniting with partners David and Thomas she embarks on a mission to end the everlasting war between the two races, regardless of whether it implies making a what will be the greatest sacrifice
11 October 1983, Devon, England, UK
16 December 1984, Oxford, Oxfordshire, England, UK
18 July 1948, Hampstead, London, England, UK
1991, England, UK
25 November 1948, Prague, Czechoslovakia [now Czech Republic]
12 February 1953, Gothenburg, Västra Götalands län, Sweden
13 November 1984, Düsseldorf, Germany
26 July 1973, Finsbury Park, London, England, UK
7 March 1974, London, England, UK
February 06, 2017
Either do something new and different with the Underworld franchise, or better yet, leave it dead.
January 09, 2017
Coming off a long overdue reunion with Whit Stillman in the Jane Austen adaptation Love & Friendship, Kate Beckinsale returns here to the role that has been wasting her gifts as a comic actor for going on 14 years.
January 06, 2017
Whatever's vibrating on your phone is more interesting than what's onscreen.
January 19, 2017
The fifth movie in this supernatural action/horror series isn't the worst, but it isn't very good, either; it has moments of mindless fun, but also too much seriousness and mood-killing awkwardness.
April 25, 2017
Too trashy to be good, but as trash it's not too bad.
January 12, 2017
Possibly the nail in the coffin of this dreary vampire series.
January 07, 2017
For the most part, there's little to care about: Semira surfaces as the one potential source of campy fun in the film, but she's quickly ground down by the story machinations, and the fight scenes are so choppily edited that they barely register at all.
February 08, 2017
Right in line with its awful predecessor...
January 06, 2017
While the film may justify its title in terms of the viscera on display, it is badly in need of a funny bone.
January 18, 2017
Underworld: Blood Wars exists on another plane of lousy from its predecessors, a product hustled into cinemas with no regard for its competence or its well being as cinema. It's the rare dud that you'll pity as much as revile.
January 06, 2017
This film is so heavy with exposition that you would think that the director, Anna Foerster, and the screenwriter, Cory Goodman, had set out to complete a dissertation instead of a sequel.
