Troop Beverly Hills
With her marriage breaking up, Beverly Hills housewife Phyllis Nefler boosts her self-esteem by leading a local troop of Wilderness Girls, only to discover that it's not as easy as buying cookies.
18 September 1939, Philadelphia, Pennsylvania, USA
29 August 1971, Sarasota, Florida, USA
29 November 1952, Englewood, New Jersey, USA
16 March 1938, Spokane, Washington, USA
29 August 1941, London, England, UK
1 October 1953, New York City, New York, USA
20 October 1927, Brooklyn, New York City, New York, USA
10 January 1951, Girard, Ohio, USA
December 7, 1951 in Cuero, Texas, USA
4 April 1944, Spokane, Washington, USA
10 December 1961, New York City, New York, USA
30 May 1958, Newport Beach, California, USA
24 September 1918, Los Angeles, California, USA
28 June 1951, Central Falls, Rhode Island, USA
16 September 1976, California, USA
1937
10 October 1958, Ridgefield, Connecticut, USA
26 October 1936, New York City, New York, USA
22 October 1942, Utica, New York, USA
30 July 1933, New York City, New York, USA
6 April 1948, Jacksonville, Florida, USA
January 01, 2000
Dreadful as their performances are, the actors are the victims.
May 24, 2003
Troop Beverly Hills is a fizzled farce...lightweight and inconsequential to boot. Clearly, it's about as comically crunchy as a box of smashed girl scout cookies
May 02, 2003
It's a treat (and necessity) not only for youngish gay boys, but for anyone who enjoys campy good fun with the added bonus of watching dominant cultural values self-destruct.
January 01, 2000
Instead of being a merciless evisceration of the lifestyles of the rich, it's a little morality play in which Long transforms herself into a warm and useful person. Nobody within a mile of this project seems to have possessed an ounce of irony.
December 23, 2014
Stereotypes, silliness reign in uneven parody of rich girls.
January 16, 2003
Not how I'd choose to spend the evening.
June 11, 2003
She left Cheers for this?!?
August 11, 2008
...the film eventually does wear out its welcome due primarily to its wildly uneven structure and Jeff Kanew's ostentatiously '80s directorial choices.
