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ACTORS OF "Touch of Evil"
John Marlin
John Marlin

June 28, 1906 in Greece

Valentin de Vargas
Valentin de Vargas

26 April 1935, Albuquerque, New Mexico, USA

Rusty Wescoatt
Rusty Wescoatt

2 August 1911, Maui, Hawaii, USA

Ralph Moratz
Ralph Moratz

10 October 1931, Berlin, Germany

Arlene McQuade
Arlene McQuade

Janet Leigh
Janet Leigh

6 July 1927, Merced, California, USA

John Dierkes
John Dierkes

10 February 1905, Cincinnati, Ohio, USA

Joanna Moore
Joanna Moore

10 November 1934, Parrott, Georgia, USA

Harry Shannon
Harry Shannon

13 June 1890, Saginaw, Michigan, USA

Mort Mills
Mort Mills

11 January 1919, New York City, New York, USA

Gus Schilling
Gus Schilling

20 June 1908, New York City, New York, USA

Marlene Dietrich
Marlene Dietrich

27 December 1901, Schöneberg, Berlin, Germany

Ray Beltram
Ray Beltram

31 January 1888, El Truinfo, Mexico

Dan White
Dan White

25 March 1908, Falmouth, Florida, USA

Ray Collins
Ray Collins

10 December 1889, Sacramento, California, USA

William Tannen
William Tannen

17 November 1911, New York City, New York, USA

Johnny Kern
Johnny Kern

29 August 1905, Austria

Ray Pourchot
Ray Pourchot

October 19, 1924 in Phoenix, Arizona, USA

Keenan Wynn
Keenan Wynn

27 July 1916, New York City, New York, USA

Eumenio Blanco
Eumenio Blanco

9 January 1891, Manzaneda, Ourense, Galicia, Spain

Zsa Zsa Gabor
Zsa Zsa Gabor

6 February 1917, Budapest, Austria-Hungary [now Hungary]

Mercedes McCambridge
Mercedes McCambridge

16 March 1916, Joliet, Illinois, USA

Charlton Heston
Charlton Heston

4 October 1923, Wilmette, Illinois, USA

Orson Welles
Orson Welles

6 May 1915, Kenosha, Wisconsin, USA

Dennis Weaver
Dennis Weaver

4 June 1924, Joplin, Missouri, USA

Wayne Taylor
Wayne Taylor

Ken Miller
Ken Miller

October 15, 1931 in Springfield, Ohio, USA

Lalo Rios
Lalo Rios

7 February 1927, Sonora, Mexico

Phil Harvey
Phil Harvey

11 May 1921, Emporia, Kansas, USA

Billy House
Billy House

7 May 1889, Mankato, Minnesota, USA

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Touch of Evil
CRITICS OF "Touch of Evil"
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Electric Sheep
Resource

July 10, 2015

Touch of Evil deserves to be watched multiple times, not for the story, but to absorb its brilliance and audacity.
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Chicago Tribune
Resource

March 12, 2013

Having the Touch of Evil envisioned by our most creative filmmaker, is a wondrous gift no movie lover should miss.
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Time Out
Resource

June 24, 2006

A sweaty thriller conundrum on character and corruption, justice and the law, worship and betrayal, it plays havoc with moral ambiguities.
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Radio Times
Resource

July 09, 2015

Welles made the film that virtually capped a style he had helped create: you could say that the span of film noir started with Citizen Kane and ended with this movie.
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Independent (UK)
Resource

July 16, 2015

It is typical of Orson Welles that he takes a B-movie thriller set on the Mexican border and gives it a Shakespearian grandeur.
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Los Angeles Times
Resource

March 12, 2013

Expressionistic in the extreme, filled with shadows, angles and cinematic flourishes, the film raises the usual brooding nightmare ambiance of film noir to a level few other pictures have attempted.
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New Yorker
Resource

March 12, 2013

[Welles'] scenes with brothel-keeper Marlene Dietrich have nothing to do with the plot and everything to do with the rotting heart of this amazing fable: the apotheosis of pulp.
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Little White Lies
Resource

July 10, 2015

Like the bomb that's lobbed in the boot of the soft-top car in its opening scene, Touch Of Evil is a film where we can hear the faint sound of ticking in our heads, but don't realise what the problem is before it's far too late.
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Guardian
Resource

July 09, 2015

Adapted by Welles from Whit Masterson's pulp thriller Badge of Evil, it had streaks of teen degradation and reefer madness, and the most intense interracial relationship since The Searchers.
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Slate

April 06, 2007

I first saw it when I was 14 and thought it was one of the worst pictures ever -- garish, oppressive, and appallingly overacted. Grown up, I'd go with those same adjectives, except now I think it's one of the best.
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Times (UK)
Resource

July 09, 2015

The bravura of the opening sequence of Orson Welles's last Hollywood picture grabs you by the throat.
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Entertainment Weekly
Resource

September 07, 2011

Indeed, just to see and hear the extraordinary 3 minute and 20 second opening sequence -- a fluid tour de force tracking shot -- without impediment of opening credits and street-sound-masking movie score is accomplishment enough.
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