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Tomb Raider
CRITICS OF "Tomb Raider"
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Matt's Movie Reviews
Resource

March 19, 2018

Modern, gritty, action packed and led by a leading lady who can kick-ass and bring depth with equal power.
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Time Out
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March 18, 2018

There's no way to hate a movie that has spiked poles, booby-trapped caves and zombies, but you can fault it for not trying as hard as it should.
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Detroit News
Resource

March 16, 2018

Like your copy of the original Playstation game, this "Tomb Raider" already feels like it's covered in dust.
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Journal and Courier (Lafayette, IN)
Resource

March 19, 2018

'Tomb Raider' is easily digested, but also can be evacuated just as fast.
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ArtsHub
Resource

March 19, 2018

In a feature that's primarily a formulaic reboot, rendering Lara Craft as flesh and blood instead of a cartoonish fantasy makes a difference.
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New Yorker
Resource

March 19, 2018

"Tomb Raider," stuffed though it is with curses, vaults, and locks that cry out for secret keys, is not really about a legendary quest, or family honor. It's about Alicia Vikander.
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Village Voice
Resource

March 16, 2018

[Vikander] invests herself in Lara Croft, and the filmmakers, unlike the ones Jolie got saddled with, frame her with awe rather than lust. Now if only they could bring some of that awe to the tombs...
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El Nuevo Día
Resource

March 19, 2018

One the best compliments you can give this film is that within the first five minutes you completely forget about any other incarnations of Lara Croft.
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The List
Resource

March 19, 2018

It's good enough to leave you contemplating something rare: the prospect of a video-game movie sequel you wouldn't mind seeing.
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Christian Science Monitor
Resource

March 16, 2018

Tomb Raider, sloppily directed by Roar Uthaug, would not be worth watching without Vikander, who darts, leaps, and pummels her way through this mediocre escapade with a winning fierceness
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Cinéfiloz
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March 19, 2018

... I hope that [Alicia Vikander] will have the opportunity to shine even more... [Full review in Spanish]
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San Diego Reader
Resource

March 16, 2018

For a while, it looked like director Roar Uthaug was going to deliver a video game movie that transcended the genre, mostly through the neat trick of having his ass-kicking heroine be driven by the thoroughly human desire to be Daddy's little girl again.
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