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DIRECTORS OF "The Wind Rises (Kaze Tachinu) [Audio: Eng]"
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CREATORS OF "The Wind Rises (Kaze Tachinu) [Audio: Eng]"
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ACTORS OF "The Wind Rises (Kaze Tachinu) [Audio: Eng]"
The Wind Rises (Kaze Tachinu) [Audio: Eng]
CRITICS OF "The Wind Rises (Kaze Tachinu) [Audio: Eng]"
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4:3
Resource

June 14, 2016

The Wind Rises abstracts its own historical fabric by focussing on the tiny space between the stitches - on its psychological portrait and romantic plot.
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Grantland
Resource

March 13, 2014

The pastel palette bespeaks a determined, almost demented lightness.
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ReelViews
Resource

February 27, 2014

In terms of tone, visual beauty, and storytelling, The Wind Rises represents Miyazaki at the apex of his abilities.
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Jerusalem Post
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March 21, 2016

Although the pacing of the film is odd, the images are gorgeous, and they say more than the dialogue.
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Washington Free Beacon
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July 14, 2016

In The Wind Rises as elsewhere, Miyazaki's artistry is undeniable, but the storytelling is flabby.
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Chicago Reader
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March 13, 2014

The film is one of the most rapturously beautiful that Miyazaki has made, and all the more unsettling because of it.
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Denver Post

February 28, 2014

At 73, Miyazaki's farewell is many things -- gorgeous, beckoning, compassionate. For better and worse, it soars above child's play.
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The Film Stage
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June 21, 2016

There's great humanity and great drama spread throughout, but all of it is given the careful, illuminating gleam of a dreamer's gaze.
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eFilmCritic.com
Resource

July 14, 2015

World-class animation, with obsessive attention lavished on the smallest, subtlest things
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Philadelphia Inquirer
Resource

February 28, 2014

The Wind Rises has the sweep and majesty of a Technicolor Hollywood classic.
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Critic's Notebook
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October 08, 2015

"The Wind Rises" will mean the most to fans who've grown up watching Mr. Miyazaki's work. Think of it as your graduation present.
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Detroit News
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February 28, 2014

When Jiro dreams, "Wind" soars; when he comes down to earth, the film can feel a bit stiff and murky. But then, that may be the point.
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