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DIRECTORS OF "The Transfiguration"
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CREATORS OF "The Transfiguration"
The Transfiguration
CRITICS OF "The Transfiguration"
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NOW Toronto
Resource

May 25, 2017

The Transfiguration is a tragedy, but it's also a horror movie. And a very good one.
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Los Angeles Times
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April 20, 2017

Bold and brutal in shocking spurts, the indie horror drama from writer-director O'Shea is a startling debut that leaves a fresh mark on the genre while celebrating its forbears.
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Village Voice
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April 06, 2017

The Transfiguration gradually reveals itself to be a coming-of-age tale, one whose central figure reaches a point at which he's forced to reckon with the evil lurking within himself.
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Daily Record (UK)
Resource

May 10, 2017

It might be too dry for some, but for horror fans with patience and a love of the slow-burn will find plenty to chew on.
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Hammer to Nail
Resource

August 07, 2017

Dramatic irony meets urban allegory in a bleak but compelling story that will certainly resonate with fringe audiences.
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San Diego Reader
Resource

May 05, 2017

Trying hard to play against expectations, writer-director Michael O'Shea casts a black teenager in the lead role of an urban vampire film. It's a decision that ultimately works in the film's favor, but only up to a point.
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Washington Post
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April 20, 2017

This is not a horror film, exactly, but a dark drama in which a self-imposed curse is the only reprieve from a neighborhood where violence is routine.
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The Film Stage
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August 05, 2017

Where O'Shea succeeds and Hollywood often fails is acknowledging the pain and sorrow so many feel can't magically disappear.
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Cinemalogue.com
Resource

April 28, 2017

... struggles to find a balance between a contemporary vampire saga and a tender coming-of-age drama
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New York Times
Resource

April 06, 2017

Mr. Ruffin must carry the film, projecting interior activity and suggesting information where the script (by Mr. O'Shea) does not. That he imbues the film with a weight greater than its words is a testament to his skill as an actor.
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Film Ireland Magazine
Resource

May 04, 2017

Ingeniously blending conventions of realism with those of horror cinema, O'Shea has created a remarkable commentary on modern society: one in which horror itself is in many ways more desirable to that of reality.
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Time Out
Resource

April 18, 2017

A solid slice of indie horror, though the similarity to other films is hard to ignore.
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