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The Rebound

Description
After discovering her husband's recent betrayal while watching the video of her son's birth, Sandy decided to leave her house and look for another house in the city. After moving to the city, Sandy found an apartment above a small cafe in the city. After a short time, Sandy met a cafe worker named Aram, a young man named his family, who was wasting his life and teaching by working in the cafe. One day, Sandy decided to hire Aram to be her first nanny. Since then everything will look different to both because it may be something unexpected for Sandy and Aram.
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The Rebound
CRITICS OF "The Rebound"
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Scotsman
Resource

July 26, 2010

Another faintly insulting rom-com promoting a marketing man's idea of what women really want from movies...
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Time Out
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July 22, 2010

The romantic trials of two wealthy, good-looking people, whose only barriers to happiness are their own petty insecurities, become tedious, and it's not helped by some stilted dialogue and awkward, mannered performances.
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sbs.com.au
Resource

December 25, 2010

An unromantic comedy that gets down and dirty.
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Daily Mail (UK)
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July 22, 2010

Laughs are in short supply, and Mr Freundlich resorts to gross-out lavatory humour that's an unnecessary concession to youthful audiences who wouldn't like this movie anyway.
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Moviedex
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October 29, 2010

The Rebound is largely character-driven, which is more than a lot of romantic films can vouch for.
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Hollywood Reporter
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November 09, 2010

Saddling two game actors with a tone-deaf, charmless script, the film makes recent J.Lo vehicle The Back-up Plan look like Billy Wilder in comparison.
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Reel Film Reviews
Resource

February 28, 2012

...a thoroughly (and consistently) misguided piece of work that has almost nothing truthful or relevant to say about relationships.
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Daily Express (UK)
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July 26, 2010

The Rebound offers up surprisingly nice characters (too nice, you could argue) and a modest charm that compensates for a lack of big laughs or much suspense.
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Daily Telegraph (UK)
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July 22, 2010

Why is a movie that's trying to evoke some of the cool metropolitanism of late-'70s Woody Allen so rammed with hoary gags about New York being awash with transvestites and homeless flashers?
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BrianOrndorf.com
Resource

January 20, 2012

Although it bears the marks of studio intervention, much of the blame remains firmly with Freundlich, who's incapable of arranging a single honest moment in this uncomfortable, frightfully strained creation.
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The Sun (UK)
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July 22, 2010

These are characters who seem very real. It's their imperfections, not contrived plot points, that drive the story.
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Movie Metropolis
Resource

February 17, 2012

Poor writing and inconsistencies sink this film. Let's hope that Zeta-Jones and Bartha can rebound.
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