The Possession of Hannah Grace
When a cop who is just out of rehab takes the graveyard shift in a city hospital morgue, she faces a series of bizarre, violent events caused by an evil entity in one of the corpses.
9 November 1972, South Boston, Massachusetts, USA
21 November 1945, USA
24 September 1987, Bloomington, Indiana, USA
April 8, 1990 in Boston, Massachusetts, USA
26 April 1978, Hamilton, Ontario, Canada
17 July 1964, Newport, Rhode Island, USA
20 November 1972, Redlands, California, USA
December 03, 2018
This demon-possession horror movie has enough good moments that it's a shame the filmmakers didn't try harder; for every effectively moody scene, there's another that's lazy, twitchy, or shopworn.
November 30, 2018
Most of the movie's creepy overtures are bluntly obvious-menacing thumps, rather than barely perceptible twitches.
November 29, 2018
Van Rooijen's overreliance on herky-jerky jump scares is a pity, because the movie that exists in the silence is surprisingly satisfying.
December 03, 2018
There's no care that went into making anything other than the lighting rigs for The Possession of Hannah Grace, and you shouldn't care about it, either.
December 03, 2018
As a whole, The Possession of Hannah Grace is probably a solid spookfest for casual genre fans, but I don't think it offers up much for those of us who call horror our way of life.
November 30, 2018
Hannah Graceis barely 85 minutes, with an ending so abrupt that you'll wonder whether you've missed something. (Spoiler alert: you haven't.)
November 29, 2018
A dreary horror thriller, without any of those pesky thrills.
December 03, 2018
This is also the kind of horror film where you scratch your head often, questioning some of its supernatural logic.
December 02, 2018
Gets about as much mileage out of its thin premise as could be expected, and exhibits some cool visuals along the way; but that's not quite enough.
November 29, 2018
She's possessed, although she's lifeless. Sort of like the movie.
December 03, 2018
Crunching bones and tearing flesh are effectively rendered, yet expectations of cheap thrills drain away as the scares fail to materialise.
November 29, 2018
Hannah Grace never overcomes the compendium of clichés in Brian Sieve's screenplay, which resembles a greatest hits of demonic possession films.
