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DIRECTORS OF "The Nightmare Before Christmas"
The Nightmare Before Christmas
CRITICS OF "The Nightmare Before Christmas"
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South Florida Sun-Sentinel
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December 03, 2013

Pure enchantment, Tim Burton's The Nightmare Before Christmas creates a unique and wondrous world. This awesome movie is in a class by itself for its use of stop-action animation.
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New Yorker
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December 03, 2013

This full-length animated movie was shot in stop motion, with all the febrile, twittery fascination that the medium exerts; it has a magic-toy shop feeling, with unexpected objects stuttering into life.
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Chicago Tribune
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December 03, 2013

Tim Burton's The Nightmare Before Christmas has a grotesque charm, a pie-eyed magic.
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Metro Times (Detroit, MI)
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December 03, 2013

The Nightmare Before Christmas cleverly refashions its yuletide characters into Edward Gorey refugees.
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Cinema Crazed
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October 26, 2016

Burton gives the audience his kind of children's film, and it's absolutely stellar.
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Los Angeles Times
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December 03, 2013

Part avant-garde art film, part amusing but morbid fairy tale, it is a delightfully ghoulish holiday musical that displays more inventiveness in its brief 75 minutes than some studios can manage in an entire year.
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Orlando Sentinel
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December 03, 2013

Burton and his collaborators present a movie musical that's like nothing you've ever seen.
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Ozus' World Movie Reviews
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December 21, 2013

A well-realized and weirdly amusing animated treat.
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Christian Science Monitor
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December 03, 2013

Animation is a wonderful medium, but it's almost too compatible with Burton's uninhibited approach. When literally anything goes, even the most original idea can get lost in the creative shuffle.
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Philadelphia Inquirer
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December 03, 2013

Burton, the man who gave us Batman, Beetlejuice and Edward Scissorhands, is incapable of a conventional idea. His take on the holiday fairy tale is delightfully off the wall.
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Philadelphia Daily News
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December 03, 2013

Disney's sophisticated stop-motion animation (an advanced version of techniques used to create Gumby) creates a truly breathtaking visual landscape.
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Seattle Times
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December 03, 2013

Visually a macabre knockout, this 75-minute fantasy boasts some of the wittiest, most vigorous stop-motion animation effects in the history of the process.
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