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The Lobster
CRITICS OF "The Lobster"
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San Antonio Current
Resource

January 25, 2018

Greek director/co-writer Yorgos Lanthimos designs a distinctive dystopian world and questions the idea of typical relationships and how couples connect at a surface level.
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Detroit News
Resource

May 27, 2016

Lanthimos doesn't deliver all the way, but he sticks his landing mightily and whets appetites for whatever he decides to do next.
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Salon.com
Resource

May 26, 2016

Lanthimos's unsettling tour de force reminds us of how chained to coupledom dignity remains at both the private and public level.
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Flickering Myth
Resource

December 03, 2017

The Lobster amounts to razor-sharp satire blasting away at the societal norms and constructs of relationships, but a shame that it decides to ditch its hotel setting full of intrigue
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Reel Film Reviews
Resource

April 18, 2018

The final result is a predictably off-kilter endeavor from an unapologetically avant-garde filmmaker...
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Miami Herald
Resource

June 01, 2016

The Lobster argues that the kind of pressure society places on us to find a soulmate can lead to reckless choices. But the movie gives the alternative - people who are happy being single - the same radical treatment.
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St. Louis Post-Dispatch
Resource

May 27, 2016

If you're open to embracing a film that declines to pander to expectations, you should definitely make a date with "The Lobster."
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Film Ireland Magazine
Resource

March 28, 2018

It is quite a miracle Lanthimos got this film to work. Not because of how leftfield it is, but because of the amount of international input that excels in it.
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The Mail on Sunday (UK)
Resource

October 26, 2017

The Lobster is well-acted and its weird internal logic scrupulously maintained, but as the second half dragged endlessly on, I found its point as elusive as its ending.
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Newsday
Resource

May 26, 2016

Highly original and mordantly funny. Perfect for fans of Franz Kafka, Charlie Kaufman and other bleak surrealists.
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Cinema Scope
Resource

November 13, 2017

The trouble lies in the film's noncommittal tone, which too often deviates from Lanthimos' reliable deadpan. Set against the earlier films' prickliness, The Lobster seems oddly ingratiating.
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Chicago Reader
Resource

May 26, 2016

Lanthimos forgoes easy sentiments about the transformative power of love; this may turn off some viewers, but there's a certain liberation and even some relief in knowing that societal pressure to settle down can be just as cruel as loneliness.
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