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The Jazz Singer
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The Jazz Singer
CRITICS OF "The Jazz Singer"
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TV Guide
Resource

July 28, 2008

By today's standards, The Jazz Singer is mawkish, crudely filmed, and full of schmaltz. Yet it remains fascinating in its historical value, not only for its technical innovation.
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Variety
Resource

July 22, 2008

Undoubtedly the best thing Vitaphone has ever put on the screen.
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Antagony & Ecstasy
Resource

May 03, 2014

A film whose appeal is almost solely historical, for a multitude of reasons.
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ColeSmithey.com

July 12, 2008

An overrated cinematic turd, and an embarrassment to Jazz.
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EmanuelLevy.Com
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February 21, 2012

The Jazz Singer is not a good picture artistically, but it's historically significant and Al Johnson is truly entertaining
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TIME Magazine
Resource

July 28, 2008

In cities where the Vitaphone can be installed and reproduce his voice this picture will eminently repay attendance.
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New York Times

March 25, 2006

The Vitaphoned songs and some dialogue have been introduced most adroitly.
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Bangitout.com
Resource

July 20, 2009

The Jazz Singer is a shallow attempt by a powerful group of straying Jews to clear their consciences.
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Movie Metropolis
Resource

October 14, 2007

...there's no taking away from the movie's heart and Jolson's singing. The Jazz Singer remains a classic of its kind.
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ReelTalk Movie Reviews
Resource

December 31, 2015

Of its time, surely, 'The Jazz Singer' is nevertheless better than one expects going in.
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Bullz-Eye.com
Resource

November 17, 2007

There's one thing that neither Neil Diamond nor Danny Thomas nor even Jerry Lewis had in their versions: the unrivaled showmanship and charisma of Al Jolson.
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Chicago Reader
Resource

January 01, 2000

It's ragged and dull until the magical moment when Jolson turns to the camera to announce, 'You ain't heard nothin' yet' -- a line so loaded with unconscious irony that it still raises a few goose bumps.
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