The End Of Violence
Movie producer Mike Max meditates on the paranoia of fear of attack, in the movie business and life in general, as his wife Page announces she is leaving him. Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for disappearance of Max which is led by detective Doc Block.
20 August 1953, Bellevue, Washington, USA
1 May 1950, Cincinnati, Ohio, USA
30 March 1972, Jerusalem, Israel
1 September 1952, Kansas City, Missouri, USA
23 December 1964, Los Angeles, California, USA
23 September 1957, Anaheim, California, USA
12 May 1950, Dublin, Ireland
31 July 1969, Las Vegas, Nevada, USA
25 October 1950, Panama City, Panama
10 December 1949, Calexico, California, USA
20 September 1962, Columbus, Ohio, USA
29 August 1968, Berlin, Germany
23 May 1950, Los Angeles, California, USA
14 October 1944, Cologne, North Rhine-Westphalia, Germany
8 November 1954
23 June 1947, Los Angeles, California, USA
1 April 1968, Louisville, Kentucky, USA
September 28, 2005
Boring, incoherent and insultingly didactic. It's like Wenders has never been to America, never observed Americans and never even seen an American movie.
January 01, 2000
Skip the movie but buy the CD.
January 01, 2000
A muddled, sentimental Euro-American hash, redeemed here and there from its fatal purposelessness by a few moments that remind us we're in the presence of a genuine cinematic visionary.
November 08, 2004
astonishing but uneven
March 27, 2015
[Has] many potent moments.
July 12, 2002
A longwinded exercise in pretentious confusion.
January 01, 2000
This goes on for two hours and two minutes. When I staggered out of the theater, I asked if Clinton was still president.
January 05, 2009
A disjointed mess where a lot goes on but nothing happens.
May 31, 2002
A trama principal se perde em um emaranhado de cenas que, rigorosamente, nada acrescentam ao filme.
January 01, 2000
Offers viewers opportunities to ponder a variety of diverse subjects, but its overall entertainment value is less than one might hope for.
June 05, 2002
Wenders' observations and subtextual commentary about violence in American society are well-served by the nuances of Nicholas Klein's script.
January 01, 2000
A meandering mess, a plodding dud.
