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DIRECTORS OF "The Cell"
The Cell
CRITICS OF "The Cell"
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Common Sense Media

December 28, 2010

A movie with no plot, no logic, no meaning.
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Rolling Stone

March 07, 2005

Tarsem uses the dramatically shallow plot to create a dream world densely packed with images of beauty and terror that cling to the memory even if you don't want them to.
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Detroit News

January 01, 2000

The trippy, highly mannered, widely referential imagery is certainly its strongest selling point, despite wonderfully grounding (and, on the rides, bizarre) work by Lopez.
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Suite101.com
Resource

September 25, 2010

Sigmund Freud's description of the id as "a cauldron full of seething excitations" could just as easily apply to this literal exploration into the darkest, filthiest corners of a serial killer's mind. A chilling journey into dark religious iconography.
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Antagony & Ecstasy
Resource

July 25, 2015

Rewarding even beyond the shockingly bold images that almost exclusively make up the film's final hour and change.
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Time Out
Resource

February 09, 2006

Lopez is hard to take as the empathetic psychologist who uses a synaptic transfer machine to penetrate the comatose killer's tortured psyche in hopes of finding his latest victim.
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ReelViews
Resource

January 01, 2000

The Cell becomes the first serial killer feature in a long time to take the genre in a new direction.
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The Blu Spot
Resource

July 06, 2015

The Cell is a dazzling mind-bender of a film that features spectacular visuals from the elegant sets to the gorgeous costumes, all encompassed in a thrilling story that will have you on the edge of your seat.
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Sacramento News & Review
Resource

August 07, 2008

The dream sequences are so well-done that it's easy to forgive the film's lack of dramatic punch.
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Film.com

January 01, 2000

[The visuals are] just enough to recommend a movie that otherwise has nothing new to offer.
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TheMovieReport.com
Resource

January 08, 2010

A by-the-numbers story becomes the incidental backbone of one of the most visually arresting films of recent memory.
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Chicago Sun-Times
Resource

January 01, 2000

One of the best films of the year.
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