The Canterbury Tales
Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories. A host of passionate lovers unite for a glorious, sometimes unexpected journey through Chaucer's medieval England.
4 July 1926, Bicester, Oxfordshire, England, UK
August 8, 1928 in Windermere, Cumbria, England, UK
14 August 1934, Nîmes, Gard, France
21 November 1943, New Brighton, Merseyside, England, UK
1 May 1927, Casalecchio di Reno, Emilia-Romagna, Italy
April 3, 1942 in Sweden
13 December 1952, Woolwich, London, England, UK
2 July 1906, York, England, UK
11 February 1918, Dover, Kent, England, UK
5 December 1940, Brynmawr, South Wales, UK
18 August 1946, Cape Town, South Africa
12 October 1950, Southport, Lancashire, England, UK
5 March 1922, Bologna, Emilia-Romagna, Italy
24 April 1924, Rimini, Italy
1 December 1928, Whitstable, Kent, England, UK
7 January 1913, Essex, England, UK
3 January 1920, Morro Velho, Minas Gerais, Brazil
January 04, 2013
the brash, arguably campy manner in which Pasolini transcribes Chaucer's medieval bawdiness to the screen, coupled with the film's various technical faults (particularly the lousy dubbed dialogue), tends to make the film a chore to watch.
May 24, 2003
It can be hard going at times, especially with the post-production dubbing of sound and the blank, detached acting Pasolini demanded, but it also contains some very funny and superbly-shot sequences.
October 23, 2007
If Pasolini had something more than grubby fantasy on his mind -- and presumably he did -- it isn't immediately apparent.
October 23, 2007
After the formidable commercial success of his bawdy Decameron, Pier Pasolini applied the same formula to Geoffrey Chaucer's The Canterbury Tales with somewhat less appealing results.
April 14, 2004
In contrast to the Italy of Pasolini's Decameron, the England of The Canterbury Tales is much more harsh in its treatment of vice of all kinds.
April 28, 2004
Robust and smart, much like its more expansive source material.

