Take This Waltz
A happily married woman (Michelle Williams) is torn between the husband of five years (Seth Rogen) that she loves and a new man (Luke Kirby) in her life, whom she's unable to ignore.
15 April 1982, Vancouver, British Columbia, Canada
12 May 1978, Toronto, Ontario, Canada
28 December 1987, Halifax, Nova Scotia, Canada
9 September 1980, Kalispell, Montana, USA
21 June 1978, Hamilton, Ontario, Canada
6 July 1948, London, England, UK
21 April 1978, Ontario, Canada
1 December 1970, Bedford, New Hampshire, USA
2 October 1988, Toronto, Ontario, Canada
September 08, 2013
[A] sunny dramedy that lulls its viewers with pseudo quirks, but which actually hides an altogether terrifying dead heart that clubs viewers over the head with its nauseating examination of an insufferable, unhappy woman.
August 14, 2012
A hard-headed, generous film about love.
July 12, 2012
Williams lives and breathes her role, Kirby is charming and real, and you actually start to ache and empathize with Rogen - the emptiness and heartache he conveys when Lou and Margot finally thrash things out is crushing.
June 02, 2013
While hardly a complete failure, 'Waltz' nevertheless finds Polley dancing to the beat of a simmering romantic triangle with two left feet.
August 20, 2014
It's such a strange little movie but beautifully acted and undeniably fascinating.
August 29, 2013
Take This Waltz is a Remarkable, Offbeat Love Story
July 16, 2012
Polley (who's been an actress herself) never judges these people she's created. Instead, she depicts the giddy, fleeting and illusory nature of new love, and lets us get caught up in it, too.
August 17, 2014
Sexually charged, frank, and relatable, Take This Waltz is a bittersweet observation of adult romance.
January 09, 2013
A mess of the sort that only a brilliant person can slop up on there.
July 12, 2012
[It] often feels thin and self-conscious.
March 04, 2013
This is finely-judged filmmaking from a writing and directing talent to watch.
July 13, 2012
No one's a cliche; no one speaks dialogue the viewer could have muttered a beat or two ahead of the movie; no one hews to a mode of behavior fabricated to explain away his or her irrational behavior.
