Strange Days
This epic thriller is set in a hellish Los Angeles during the last days of the 20th century. The tale centers on Lenny Nero, a sleazy grifter who sells voyeuristic scenes. After his lover Faith leaves him, he tries to win her back after learning that she is in danger.
1 January 1954, New Rochelle, New York, USA
October 28, 1967 in San Salvador, El Salvador
13 February 1968, Honolulu, Hawaii, USA
16 August 1958, New York City, New York, USA
28 June 1970, Los Angeles County, California, USA
30 June 1959, Brooklyn, New York City, New York, USA
27 November 1956, Mitchell Field Air Force Base, East Meadow, Long Island, New York, USA
1942, Tokyo, Japan
26 May 1970, Boulder, Colorado, USA
May 25, 1953 in San Mateo County, California, USA
18 August 1961, Richmond, California, USA
May 07, 2012
[VIDEO ESSAY] "Strange Days" owes a debt to Michael Powell's "Peeping Tom," the film that ruined his storied career.
April 12, 2002
Once the premise has lost its promise, and Fiennes's brave attempts at characterization are sacrificed to pseudo-dazzle, everything appears awfully humdrum and, yes, distinctly dated.
January 01, 2000
It's fascinating the way Bigelow is able to suggest so much of VR's impact (and dangers) within a movie - a form of VR that's a century old.
April 16, 2007
[Bigelow] with the help of her talented cast, constantly wrestles against the script, and for a great deal of time, she appears to be winning.
March 17, 2018
The movie went off like a landmine in Lincoln Center, traumatizing upscale audiences with its pulp semiotics and Bigelow's blunt-force filmmaking.
January 18, 2013
Director Kathryn Bigelow comes closer than any other filmmaker to turning movies into a virtual reality trip.
May 12, 2001
Undeniably thrilling and troubling.
January 26, 2018
Messy, dreary and repulsive slick near future sci-fi/film noir thriller that both dazzles and is bombastic.
July 01, 2005
Engaging, genuinely thrilling sci-fi. Enough to make you wish Bigelow made a movie a year.
January 01, 2000
Bigelow is so enamored of high-tech thrills, and so mesmerized by the violence she seeks to condemn, that her efforts at 11th-hour moralizing seem limp and halfhearted.
December 02, 2006
Set in LA at the end of the century, this morality tales showed again the main problem in the director's work: The great divide between simlistic plots and technical sophistication. Even so, it's one of a kind for its use of color, sound and motion
February 13, 2001
Though the creators of Strange Days may well be interested in its dramatic and thematic elements, they do not have the same touch for these moments as they do for camera pyrotechnics.
