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Seventh Son (2015)
CRITICS OF "Seventh Son (2015)"
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Deseret News, Salt Lake City
Resource

November 05, 2015

The key to enjoying Seventh Son is to keep modest expectations. And, in this case, "modest expectations" probably means you're better off saving your first-run dollars and waiting for cheaper options.
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Chicago Reader
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February 12, 2015

It's a loud, joyless mess.
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Newsday
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February 06, 2015

No masterpiece, but a welcome February surprise with a lively cast and rugged action.
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TheHorrorShow
Resource

August 23, 2015

A fantasy adventure film needs more than "cool creatures," a rousing score, and two certifiably over-the-top performances to make a lasting impression.
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Epoch Times
Resource

June 03, 2016

You've simply never seen such flat-out bad acting from Jeff Bridges. It almost feels like a dare: 'Let me just see how bad I can be, without anyone calling me on it.'
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Chicago Sun-Times

February 26, 2015

"Seventh Son" moves at a fairly quick pace and has a sense of humor about itself. That doesn't mean it's thrilling, or funny. Just that it's a quickly forgotten pile of junk.
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ReelViews
Resource

February 07, 2015

Impressive set design and visuals, excessive CGI, and a loud score from Marco Beltrami can't fully compensate for bland character development and a predictable narrative that rushes along on a linear trajectory.
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New Zealand Herald
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April 27, 2016

Even best actress Oscar winners can have a bad day at the office, and this is one of those for Julianne Moore.
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Grantland
Resource

February 06, 2015

Sometimes you get halfway through a movie and you can't believe that what you're seeing made its way from Los Angeles or someone's Los Angeles computer to where you're sitting.
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Sacramento News & Review
Resource

June 01, 2015

The film is basically a rich man's Uwe Boll version of Dungeons and Dragons -- a lot of tacky visuals, world-building mumbo-jumbo and gooey CGI creatures encased in a narrative vacuum.
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New York Magazine/Vulture
Resource

February 06, 2015

A strange movie that manages to be both ridiculous and bland, its chief point of interest is the spectacle of a great actor caught in career decline.
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