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Reign of Assassins

Description
Drizzle/Zeng Jing tries to start a new life after being counseled by a monk. But she must, again, take up the sword of the assassin when her former partners-in-crime come to demand that she hand over the remains of a famous monk.    
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DIRECTORS OF "Reign of Assassins"
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CREATORS OF "Reign of Assassins"
Reign of Assassins
CRITICS OF "Reign of Assassins"
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Stephen Kelly
Resource

February 04, 2013

This is fun and well-paced with fight sequences that, while not exactly screaming "Woo", still manage to dance off the screen.
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Jamie Healy
Resource

February 15, 2013

A female warrior attempts to leave her killing days behind in this polished but overblown Chinese period swordplay adventure.
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Jennifer Tate
Resource

February 14, 2013

Although it drags on a little too long, this Chinese martial arts flick is thoroughly entertaining, thanks to its even pace, strong performances and impressive choreography.
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Thomas Caldwell
Resource

July 09, 2011

Reign of Assassins offers plenty of exciting sequences, but it frustratingly never fully delivers what it promises to.
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Owen Williams
Resource

February 11, 2013

Come for the crunching fight sequences and balletic wire-fu, stay for some surprisingly affecting character moments.
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Philip French
Resource

February 17, 2013

After a decent enough opening it becomes a fairly ordinary affair, the principal attraction residing in the heroine's weirdly flexible sword.
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Allan Hunter
Resource

February 15, 2013

The flashing blades and swirling choreography of the endless fight scenes and the charisma of Yeoh keep you engaged but the end result falls far short of her Crouching Tiger triumph a decade ago.
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Eddie Harrison
Resource

February 11, 2013

There's little about Chao-Bin's other work to suggest the splendidly choreographed ballets of swordplay that feature here, with Woo's dexterous hand obvious in the fight scenes.
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Peter Bradshaw
Resource

February 14, 2013

A John Woo-chaperoned, Michelle Yeoh-starring martial arts adventure is a bit run-of-the-mill.
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Anton Bitel
Resource

February 15, 2013

the film uses its wire-fu trappings to allegorise Buddhist notions of self-transformation in a world of illusions. Throw in some inventive chopsocky tempered by romance, and you have a fatalistic wuxia about the martial pursuit of a "normal life".
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