Pathology
Medical student Ted Grey graduates at the top of his class and quickly joins an elite pathology program, whose top students invite him into their circle to devise a deadly game: to see which one of them can commit the perfect murder.
20 October 1977, Glenview, Illinois, USA
30 October 1993, Vancouver, British Columbia, Canada
25 October 1973, New York City, New York, USA
3 December 1978, Chicago, Illinois, USA
March 20, 1948, Philadelphia, Pennsylvania, USA
28 April 1976, New York City, New York, USA
8 December 1976, Virginia Beach, Virginia, USA
3 March 1980, Manila, Philippines
18 September 1955, Los Angeles, California, USA
26 September 1982, Elsah, Illinois, USA
8 July 1977, Anaheim, California, USA
19 December 1972, Brooklyn, New York City, New York, USA
8 November 1978, Sydney, New South Wales, Australia
1 December 1984, Miami, Florida, USA
31 October 1975, Charleston, South Carolina, USA
21 February 1949, Tulsa, Oklahoma, USA
23 April 1983, Marion, Ohio, USA
19 June 1980, Vancouver, British Columbia, Canada
April 25, 2008
Existing somewhere in a world between Flatliners, Saw and Last Tango in Paris, this oversexed, over the top, underwritten medical horror flick won't come anywhere near the success of those films.
April 23, 2008
Like its characters, the pic is too clever for its own good, allowing the meticulously researched scenario to be undone by implausible behavior and gaping plot holes.
June 16, 2009
...a sporadically compelling yet hopelessly inconsequential piece of work.
April 23, 2008
As dull as a conversation with a corpse.
October 08, 2008
To put things into perspective, the campier "Saw" films are all better -- and more clever ...
April 25, 2008
Gleefully brimming with body parts and bad behavior, Pathology is a fun piece of flamboyant tastelessness.
April 21, 2008
A particularly nasty slice of medical-themed horror, Marc Scholermann's film is the sort of thriller in which the tenderest scene depicts an autopsy.
September 19, 2008
Comes off as a semi-absurd variant of the horror mystique cheating the potentials of impeccable production values.
April 18, 2008
Not exactly a great movie, but it's sick, slick, and strange enough to warrant a 90-minute look.
April 21, 2008
Even squeamish viewers are apt to be captivated by the tight, credible scripting; these 20-somethings talk and behave like today's irony-clad young sophisticates. And whatever your opinion of the subject matter, you can't fault the filmmaking.
April 21, 2008
It's as if [director] Schoelermann and screenwriters Mark Neveldine and Brian Taylor had more of a concept than a concrete idea.
April 21, 2008
Much like Crank, it's the guiltiest of guilty pleasures.
