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Management
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HEROES OF "Management"
Management
CRITICS OF "Management"
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Common Sense Media
Resource

September 28, 2009

So-so romcom about unlikely couple isn't too racy for teens.
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Seattle Times

July 10, 2009

You watch Management thinking of the comedy Aniston and Zahn could have made, and wishing you were watching that movie instead.
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Chicago Tribune

May 29, 2009

Padding disguised as a feature-length screenplay.
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Film4
Resource

September 25, 2009

Not the funny, sunny romp the trailer promises, but a weary, weak attempt at romantic comedy that's far from feelgood.
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Suite101.com
Resource

October 15, 2009

A completely uproarious one-liner about Joe Strummer is still no reason to watch "Management." Had it stuck with insights on loners inadvertently backing themselves into emotional corners, rather than going for wackiness, it might have worked.
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Time Out
Resource

September 25, 2009

There's more to Stephen Belber's debut than just manufactured whimsy, not least a wise and witty script, and some beautifully sketched side characters supporting two reliably charming leads.
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Minneapolis Star Tribune
Resource

June 26, 2009

Random weirdness aside, Belber telegraphs this story arc from Sue's first drop-in to Podunk. Message received. No surprises here.
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Seanax.com
Resource

September 28, 2009

Forget logic here, there's a good cast, nice chemistry and warm feelings all around as they all fumble around for something to bring meaning to their lives.
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Guardian
Resource

September 25, 2009

Despite the obvious Norman Bates-ish resemblance, Zahn is clearly supposed to be dishy. The Zahn/Aniston pairing is without chemistry and there frankly isn't a spark of real life in the whole film.
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Detroit News
Resource

June 12, 2009

Management has two things going for it: Steve Zahn and Jennifer Aniston. Luckily, those are two very good things.
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Times (UK)
Resource

September 25, 2009

For the most part, Management avoids the standard rom-com clichés in favour of something more delicate and heartfelt.
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St. Louis Post-Dispatch

June 26, 2009

The trademark hitch in Aniston's line delivery is an effective shorthand for taking a leap of faith. In the case of both her character and her career, Management represents an admirable choice.
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