Lucky Number Slevin
Innocent Slevi visiting a friend in New York City becomes embroiled in a dangerous series of events after being mistaken for the very man he has come to the city to see.
25 November 1963, Baltimore, Maryland, USA
1950, North Bay, Ontario, Canada
19 March 1955, Idar-Oberstein, West Germany
29 December 1972, Montréal, Québec, Canada
1979, Winnipeg, Manitoba, Canada
20 June 1933, New York City, New York, USA
15 January 1976, East Orange, New Jersey, USA
10 September 1970, Montreal, Quebec, Canada
24 May 1993, Los Angeles, California, USA
27 April 1973, Montréal, Québec, Canada
30 June 1966, Toronto, Ontario, Canada
13 May 1978, Ottawa, Ontario, Canada
30 November 1979, French River, Nova Scotia, Canada
17 November 1959, Panama
14 March 1976, New York City, New York, USA
21 July 1978, St. Paul, Minnesota, USA
2 December 1968, Queens, New York City, New York, USA
11 November 1960, Peekskill, New York, USA
June 13, 2008
It's the pace of the film that wins the day.
June 24, 2006
Only Lucy Liu's insanely perky neighbour emerges with any real credit.
April 10, 2006
I think it was entertaining as heck.
March 24, 2007
McGuigan has such a stylish eye that, even if you never quite care what's happening, you'll always be visually entertained.
March 29, 2011
Lucky Number Slevin is a very clever film, probably too clever for its own good.
December 18, 2006
With its diabolical ending, this is the movie equivalent of a crossword puzzle: fun, clever, and disposable.
May 12, 2006
It shrinks your perception of what movies can do.
August 30, 2009
Elaborately hollow tough-guy arabesque
October 09, 2006
One of the underappreciated gems of the 2006 movie season.
April 12, 2006
It finally all makes sense after a fashion, and I think and hope that you will be entertained by all the narrative legerdemain.
November 10, 2006
Essentially a crime noir thriller with a twist, Paul McGuigan's film is showy and sharp, whose witty dialogue is delivered with a shrug
April 19, 2006
Everything in it -- every confusion, every line of unspeakable dialogue, every red herring, every camera setup -- has been borrowed from some movie you've seen before.
