Loving Pablo
A Spanish romantic movie revolves around a Colombian journalist and television news anchor who is invited to attend a VIP ceremony. There is where the journalist is in love with Escobar, the world's most feared drug princes.
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6 July 1921, New York City, New York, USA
21 March 1960, Copenhagen, Denmark
28 April 1974, Alcobendas, Madrid, Spain
19 April 1971
September 22, 2017
Pales next to the authenticity of NARCOS.
September 06, 2017
Long, loud and lurid, with a distinct whiff of week-old quesito colombiano.
February 15, 2018
[Javier Bardem's] Escobar is a mere caricature. [Full Review in Spanish]
September 11, 2017
Like Escobar himself remaking the coca business in a bold, new and highly lucrative vision, Bardem and Cruz succeed by doing things their unique way.
October 02, 2017
This unintentionally hilarious take, on territory covered much more soberly and with far less reliance on prosthetic bellies in current Netflix hit "Narcos," is so trashy it may even make you forget a few things you knew before.
September 06, 2017
Like flipping through the pages of a pulpy best-seller, watching Loving Pablo has its moments of guilty pleasure but leaves an empty feeling when you reach the end.
April 11, 2018
My problem with Loving Pablo is not the abusive déjà vu with the character and plot, but that it doesn't live up to my expectations. [Full Review in Spanish]
September 28, 2017
De Aranoa's persistently slick direction doesn't really alleviate the often punishingly uninteresting atmosphere...
September 06, 2017
Two models, one prodigiously cinematographic and the other is tv, that battle inside of 'Loving Pablo' and take the new work of Leon de Aranoa towards the waters of the spectacle cinema. [Full review in Spanish]
March 06, 2018
More than worthy approach to Pablo Escobar... [Full review in Spanish]
September 06, 2017
Disappointing in its inability to add anything relevant to the vision that TV and film have made of Escobar's character. [Full review in Spanish]
March 12, 2018
[Javier] Bardem and [Penelope] Cruz are powerful in front of the camera, but the histrionics can and do fail the film.
