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Let Me In
CRITICS OF "Let Me In"
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Film Threat
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October 14, 2014

Matt Reeves has succeeded in presenting the story in a thoughtful, respectful manner, while still Americanizing the Swedish text.
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St. Louis Post-Dispatch
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October 07, 2013

With its mix of true-blood romance and full-moon madness, Let Me In should hasten the twilight of the twerpy pretenders.
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TIME Magazine
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October 01, 2010

Let Me In is not as fantastic as Let the Right One In, which you should rent immediately. But it is undeniably powerful and made with obvious admiration and respect for the source material.
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Daily Telegraph (UK)
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October 14, 2014

Let Me In doesn't need to exist unless, that is, the very notion of Swedish cinema is strange and unpalatable to you.
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TheHorrorShow
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August 26, 2015

You won't find a much bigger fan of the original film than yours truly -- and still I was very impressed by this crafty remake.
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Newsday
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October 07, 2013

Let Me In is one of the few horror films that will trouble you long after the credits roll.
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New Yorker
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October 07, 2013

The result, though no less creepy than the Swedish film, mislays its lyricism and otherworldliness.
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Philadelphia Weekly

April 28, 2015

An awful lot of trouble to go to just because some people don't like reading subtitles.
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Tulsa World
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October 14, 2014

The film is this year's best horror due to Smit-McPhee and Moretz displaying a vulnerability and a skill in characterization that belies their tender ages.
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I.E. Weekly
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October 02, 2010

The tragedy in Jenkins' pathetic protector focuses the film's themes of desperation and the myopia of puppy love when you're young enough (or undead enough) to feel immortal
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Canada.com
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October 14, 2014

This is a story about two isolated kids making friends in a cold world. Those drops of blood in the snow could have come from anywhere.
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New York Magazine/Vulture
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October 04, 2010

The poetic Swedish vampire picture (with arterial spray) Let the Right One In has been hauntingly well transplanted to the high desert of Los Alamos, New Mexico, and renamed Let Me In.
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