Kill Bill Vol 1
The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her - a team she was once part of.
1943, Ishikawa, Japan
23 January 1939, Fukuoka, Japan
17 February 1955, Yamanashi, Japan
2 December 1968, Queens, New York City, New York, USA
8 August 1963, Nagano, Japan
25 September 1958, Chicago, Illinois, USA
16 November 1968, Ventura County, California, USA
22 August 1951, Guangdong, China
1964, Osaka, Japan
4 December 1962, Tokyo, Japan
4 October 1983, Tokyo, Japan
24 January 1966, Paris, France
1 January 1975, Tokyo, Japan
4 October 1995, Corpus Christi, Texas, USA
17 June 1954, Fukuoka, Japan
1966, USA
2 May 1968, Tochigi, Japan
29 April 1970, Boston, Massachusetts, USA
30 July 1964, South Bend, Indiana, USA
10 October 1984, Tsuchiura, Japan
December 24, 2010
Visually striking, but also very violent.
May 07, 2008
Even more gory and adolescent than its models, which explains both the fun and the unpleasantness of this globe-trotting romp.
October 12, 2003
Simultaneously a spectacular act of movie-making and a slight movie.
December 28, 2009
A head-spinning dream project of extraordinarily bi-polar, nutso invention, Vol. 1 is a candy store rampage, cheering on Tarantino's fetishes as he built a colorful war machine of ideal double-feature dementia.
July 29, 2016
The tale is pure pulp, a catalogue of seventies martial arts revenge dramas and American B-movie action thrillers, and the style is pure Tarantino...
May 07, 2008
A strange, fun and densely textured work that gets better as it goes along.
June 24, 2006
It's all bang, bang; no kiss, kiss. But this is still bravura film-making from a prodigious talent, and Thurman may yet prove its saving grace.
January 12, 2016
delivers on every classic Tarantino brand that you'd come to expect
October 18, 2008
With its eclectic use of music and inventive mix of genres, Kill Bill is a striking and enigmatic revenge film visually and culturally rich and relentless in its action.
October 16, 2003
I would argue that, in a bizarre way, Mr. Tarantino empowers women as no action-genre director before him ever has.
April 19, 2009
Quentin Tarantino's long awaited fourth film finds the pop culture carnivore of filmmaking reinvigorating cinema a second time over with a single-plot-trajectory revenge movie that utilizes samurai sword action with a shifting score of infectious guitar d
August 07, 2004
There is no ironic overlay in Tarantino's movies, no 'commenting' on the pop schlock he's replicating. He simply wants to remake in his own way the kinds of movies he's always loved, and he's about as uncynical as a movie geek can be.
