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DIRECTORS OF "Ip Man: The Final Fight"
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CREATORS OF "Ip Man: The Final Fight"
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HEROES OF "Ip Man: The Final Fight"
Ip Man: The Final Fight
CRITICS OF "Ip Man: The Final Fight"
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UR Chicago Magazine
Resource

September 19, 2013

Ip Man was a notable martial arts instructor, he was not a saint. Perhaps someday, somebody will make an accurate film about the man. Meanwhile, we have these kung fu pseudo-biopics to entertain us.
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New York Times
Resource

September 19, 2013

Seriously, if not always elegantly, the film portrays the great Ip Man as someone trying to survive, which is to say just as often a victim as a victor.
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AV Club
Resource

September 19, 2013

The Final Fight plays out like a collection of greatest-hits vignettes barely connected to one another.
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Film Journal International
Resource

September 19, 2013

Cut off from his home and family in China, martial-arts teacher Ip Man tries to adapt to life in Hong Kong. Intriguing if reverential account of an icon's final years.
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Examiner.com
Resource

November 14, 2013

It's admirable that Ip Man: The Final Fight takes a different approach to the character than the other Ip Man films out there, but it lacks the excitement that made Ip Man and Ip Man 2 so entertaining.
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RogerEbert.com
Resource

September 20, 2013

This is a rare case where, if a film had been livelier and less traditional and "respectful," its lead performance might have seemed less special.
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Seattle Times
Resource

September 19, 2013

Soap opera, set-bound and unexceptionally written and directed.
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Mountain Xpress (Asheville, NC)
Resource

October 29, 2013

More a frequently elegant drama than an outright action movie.
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Screen International
Resource

September 16, 2013

The soul of this movie is really in its tireless references to the historical and social conditions of 1950s and 60s Hong Kong, whose street views are recreated in vibrant, saturated colours.
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Los Angeles Times
Resource

September 19, 2013

The overall sense is of a rushed, simplistic installment in a well-worn biography franchise.
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Oregonian
Resource

September 19, 2013

The action choreography eschews the slow-motion, wire-assisted grace of Yuen Woo Ping's in "The Grandmaster," but does a solid job of crisply and clearly showcasing a few epic brawls.
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Washington Post
Resource

September 19, 2013

The naturalism of Wong's performance is undercut ... by Yau's use of phony-looking sets, sterile CGI and flashy aerial shots.
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