Hostel Part II
When his career hits top notch, Santiago Muñez is thrown into a new world of fame with a move from his English cub to Real Madrid but what becomes of him and his family when this change threatens their bond.
28 August 1945, Horné Plachtince, Czechoslovakia [now Slovak Republic]
8 February 1944, Prague, Protectorate Bohemia and Moravia
15 January 1982, Prague, Czechoslovakia
29 September 1962, Norwalk, Connecticut, USA
3 September 1943, Nogent-le-Roi, Eure-et-Loir, France
28 August 1975, Helsinki, Finland
24 December 1948, Bône, Constantine, France [now Annaba, Algeria]
1 February 1978, Jilemnice, Czechoslovakia [now Czech Republic]
18 March 1976, Sheffield, Yorkshire, England, UK
12 June 1970, New York City, New York, USA
20 February 1978, Montebello, California, USA
July 07, 2010
There are some grisly deaths gore hounds would approve of, but the focus is more on the motives of the murderous pervs and the inner workings of the snuff corporation.
June 16, 2007
Both nubile females and alpha-male douche bags are on the receiving end of pain (that's supposed to nullify accusations of misogyny, is it?), but really, we're all the victims here.
June 09, 2007
There's a keen intelligence behind all that gleeful degradation and it pays off in a finish that's at once ironic, satirical, and perversely satisfying.
August 27, 2009
Poseur callousness all the way
August 28, 2015
A tight-fisted slow burn that whacks you in face with two or three really horrifying sequences.
October 23, 2007
Roth's dark humor and lacerating view of human weakness sometimes suggest George Romero; what he lacks is Romero's stubborn belief in personal morality.
June 13, 2007
Eli Roth's Hostel: Part II is an authentic real-world creep show -- better, if anything, than its predecessor.
December 15, 2010
Gory torture bloodbath checks in for another stay.
July 03, 2008
This second film definitely shows Roth's absolute courage as a director. He didn't pull any punches with this follow up.
June 09, 2007
Hostel: Part II offers more hard-core horror and an even more outspoken message [than the first].
July 23, 2008
Filmmaker Eli Roth tries to enliven the formula, but this sequel loses the grim surprise of the original without adding much new in terms of plotting or gory set pieces.
June 12, 2007
The movie is almost totally devoid of suspense, which is one of the marks of a true exploitation film. Why waste time with a bunch of false scares and tension, when you can go straight to the pain and suffering?
