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Hiroshima Mon Amour
Description
While shooting an international movie about peace in Hiroshima, a married French actress has a torrid one night stand with a married Japanese architect as they share their differing perspectives on war.
While shooting an international movie about peace in Hiroshima, a married French actress has a torrid one night stand with a married Japanese architect as they share their differing perspectives on war.
Actors:
Eiji Okada,
Moira Lister,
Emmanuelle Riva,
Stella Dassas,
Bernard Fresson,
Pierre Barbaud
Eiji Okada
13 June 1920, Chiba, Japan
Moira Lister
6 August 1923, Cape Town, South Africa
Emmanuelle Riva
24 February 1927, Cheniménil, Vosges, France
Stella Dassas
Bernard Fresson
27 May 1931, Reims, Marne, France
Pierre Barbaud
10 October 1911, Saint-Eugène, Algiers, Algeria
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August 09, 2015
A most chic Guernica, sumptuously abstract and visceral
October 16, 2014
That rare movie in which present and past meld in every frame to convey a sense of time obliterated, or a dream having a nightmare.
May 22, 2016
Over 50 years later, HMA is still aesthetically bold, yet somehow Resnais's radical stylistic shifts are never jarring, rather feeling like they are part of a cohesive whole.
August 04, 2015
a particularly compelling and fascinating film, one that has endured well beyond its importance in throwing open the gates to a new era in French cinema
January 15, 2016
Exquisitely beautiful and harrowing meditation on war and love.
October 30, 2014
"Hiroshima Mon Amour" will always be too studied a masterwork for some tastes. But Riva's performance, chief among its triumphs, remains electrifying.
October 14, 2014
The first film to juxtapose disastrous erotic passion with the political disasters of the mid century.
October 10, 2015
...effortlessly moves us between past and present, personal and political.
October 14, 2014
The facticity of the film itself is continually called into question by Alain Resnais's decision to blur the boundaries between nonfiction and fiction films.
January 01, 2000
Integrating past and present, poetic images and documentary footage, music and Marguerite Duras' dialogue, the film achieved a structural balance of such emotional and intellectual power that audiences were stunned.
December 05, 2014
If "Hiroshima, Mon Amour" is best enjoyed for its place in film history, its tragic love story and its haunting black-and-white cinematography, that still makes it a veritable must-see.
New York Times
May 20, 2003
Although it presents, on occasion, a baffling repetition of words and ideas, much like vaguely recurring dreams, it, nevertheless, leaves the impression of a careful coalescence of art and craftsmanship.
