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Glassland

Description
The film tells the story of a poor Dublin taxi driver (Jack Reynor) who gets tangled up in the world of human trafficking to pay for his alcoholic mother's (Toni Collette) costly rehab at a private clinic.
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Glassland
CRITICS OF "Glassland"
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The Young Folks
Resource

March 31, 2016

A harrowing Irish drama of a young man being torn apart by his mother's destructive alcoholism.
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Variety
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March 31, 2016

A downbeat serving of kitchen-sink social realism with the sink itself thrown in for good measure.
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Los Angeles Times
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February 11, 2016

In the movie's best scene, as mother and son dance to an old pop song, the look on Reynor's face speaks volumes about loss and hope. It's a look that's going to be breaking hearts on screen for decades to come.
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Guardian
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March 31, 2016

It earns its tears, even if it skimps out on everything else.
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South China Morning Post
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January 17, 2017

Glassland has a minimalist purity to it, and Barrett avoids manipulation and lets the images and characters speak for themselves.
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New York Magazine/Vulture
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March 31, 2016

Glassland smartly plays off Jean's unhinged disintegration against John's tense, subdued control. In that contrast lies the power of this film.
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Globe and Mail
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March 11, 2016

Glassland is a small film with an emotional punch that wallops above its weight class.
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Flavorwire
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May 03, 2016

You've seen stories of substance abuse and its effects on a family, but rarely one as deeply unsentimental and candid as this one.
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NOW Toronto
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March 09, 2016

The dialogue is sparse, and a certain plot point is so vague as to be positively confusing. But the actors accomplish a lot with a hooded look, a weary sigh and a guilty sip of wine.
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New York Times
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February 11, 2016

There's much in the movie to admire until it runs headlong into a stone wall.
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Screen International

March 31, 2016

Glassland is impressive, although Barrett struggles to give this carefully crafted narrative a coherent resolution.
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RogerEbert.com
Resource

February 12, 2016

This is a hard, spare, tough movie, at times nearly jarring in its lack of adornment.
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