For a Few Dollars More
In the Wild West, a murderous outlaw known as El Indio and his gang are terrorizing and robbing the citizens of the region. Two bounty hunters with the same intentions team up to track down him.
January 11, 1932 in San Ferdinando di Puglia, Puglia, Italy
1925, Barcelona, Catalonia, Spain
21 February 1944, Lindau, Bavaria, Germany
9 January 1925, Somerville, New Jersey, USA
23 February 1931, Madrid, Madrid, Spain
3 July 1920, San Sebastián, Spain
1 August 1920, Kerassus, Greece
4 April 1938, Acquaro, Calabria, Italy
2 March 1909, Naples, Campania, Italy
August 3, 1922 in Vienna, Austria
18 October 1926, Zoppot, Free City of Danzig [now Sopot, Pomorskie, Poland]
19 July 1944, Quetta, Pakistan
14 September 1926, Valencia, Spain
15 June 1926, Madrid, Spain
31 May 1930, San Francisco, California, USA
9 April 1933, Milan, Lombardy, Italy
2 September 1928, Rome, Lazio, Italy
2 March 1940, Reinosa, Cantabria, Spain
3 January 1929, Rome, Lazio, Italy
29 November 1917, Alagón, Zaragoza, Aragón, Spain
10 November 1910, Bilbao, Vizcaya, País Vasco, Spain
February 14, 1925 in Madrid, Madrid, Spain
19 July 1929, Grosseto, Tuscany, Italy
August 20, 2011
A tremendously good sequel, on top of being a tremendously good movie in and of itself - surely the best Italian Western at the time of its release.
March 26, 2009
A hard-hitting western with upper-case values out of the busy Italo stable, this is a topnotch action entry.
August 13, 2012
Lean, mean, atmospheric and blackly comic spaghetti western by the team who all but invented the genre, well deserving of its reputation as one of the era's very best.
December 15, 2010
More violence and Clint-itude in Italian Western.
August 13, 2012
Doesn't have the narrative strength of the first in the trilogy but individual scenes are still brilliant and each ingredient in just perfect, cast, score, tone...
August 13, 2012
Leone's artful editing of close-ups to communicate the characters' spatial relationships is always a pleasure.
January 26, 2006
A significant step forward from A Fistful of Dollars, with the usual terrific compositions, Morricone score, and taciturn performances, not to mention the ubiquitous flashback disease.
December 29, 2011
Most fans pick The Good, The Bad, and The Ugly as the stand-out, but I really like this one best.
October 18, 2008
Looser and more relaxed as well as more elaborate than Fistful, the film is best appreciated as a series of outrageous set-pieces.
October 23, 2004
Here is a gloriously greasy, sweaty, hairy, bloody and violent Western. It is delicious.
December 31, 2009
He indulges in a certain sexually-charged imagery lifted straight from film noir
May 09, 2005
The fact that this film is constructed to endorse the exercise of murderers, to emphasize killer bravado and generate glee in frantic manifestations of death is, to my mind, a sharp indictment of it as so-called entertainment in this day.
