Fear And Loathing In Las Vegas
A drug riddled journalist and his legal representative go on a journey from LA to Las Vegas so pursue drugs because they are extremely obsessive of attaining the” American dream”.
18 August 1964, Rye Brook, New York, USA
24 January 1941, Milwaukee, Wisconsin, USA
16 October 1962, Melbourne, Victoria, Australia
2 September 1954, Tuba City, Arizona, USA
19 February 1967, San Germán, Puerto Rico
20 December 1943, Natchitoches, Louisiana, USA
1 January 1969, Sturgis, Michigan, USA
16 April 1954, The Bronx, New York City, New York, USA
17 February 1949, USA
20 April 1948, Washington, District of Columbia, USA
4 February 1960, Los Angeles, California, USA
1947, Brooklyn, New York, USA
17 November 1944, Washington, District of Columbia, USA
2 April 1961, Washington, District of Columbia, USA
15 May 1952, Los Angeles, California, USA
5 July 1929, Galveston, Texas, USA
May 02, 2012
A peculiar and oddly haunting achievement.
September 07, 2011
(Gilliam's) vision is too reflexively comic to evoke the shadows of dread in Thompson's writing.
January 01, 2000
If you encountered characters like this on an elevator, you'd push a button and get off at the next floor. Here the elevator is trapped between floors for 128 minutes.
May 02, 2012
Bizarre, unpredictable yet strangely alluring.
November 24, 2014
Unless viewed through the prism of psychedelic habituates, it is unlikely audiences will find much to savour in Gilliam's picture.
May 02, 2012
It's certainly distinctive, looking at times like Richard Lester put through a postmodernist blender.
March 26, 2009
Pic serves up a sensory overload without any compensatory reflection on the outlandish and irresponsible behavior on view.
July 26, 2012
One of Terry Gilliam's worst films (almost unwatchable)
June 18, 2002
It's really a series of sketches on one theme.
May 02, 2012
The film is intensely pretentious, far too clever for its own good.
January 26, 2006
A film of brilliant moments, but sadly less coherent - and, on senses, rather less personal - than most of Gilliam's work.
