Something went wrong
Try again later.
Faster, Pussycat! Kill! Kill!
Faster, Pussycat! Kill! Kill! follows three go-go dancers who hold a young girl hostage and embark on a spree of murder in the California desert when they know an old man living with his two sons is hiding a big sum of cash around.
26 January 1932, Pittsburgh, Pennsylvania, USA
24 January 1946, Québec, Canada
14 April 1933, Albany, New York, USA
10 July 1938, Hokkaido, Japan
23 March 1946, Pittsburgh, Pennsylvania, USA
30 November 1920, Evanston, Illinois, USA
11 February 1948, Los Angeles, California, USA
October 26, 2006
This one aimed for the unsophisticated drive-in market with its rich mixture of sex and violence, but served up no nudity or swearing.
January 26, 2006
A cheap and efficient comic horror movie, it's funniest when its dialogue and characters' behaviour are at their most non sequitur.
August 04, 2009
Russ Meyer's fetishistic vision of powerful bisexual amazons of mixed nationalities engaged in criminal super action exists in a cartoonish world of black and white humor where anything is possible
October 22, 2005
Joel Schumacher, camp? Meh - this is camp, and this is undeniably a wild good time.
March 28, 2007
Gleefully sordid, violent, good-humored exploitation from Russ Meyer, the thinking person's skin-flick director.
March 28, 2007
Some good performances emerge from a one-note script via very good Russ Meyer direction and his outstanding editing.
January 01, 2000
I guess plunging necklines and tight shorts aren't what they used to be... Not that such a realization will hamper anyone's enjoyment of this, or any other, Meyer endeavor.
February 20, 2007
Classic social satire and slapstick humor!
July 27, 2004
The sex is intended to arouse, the violence to excite, and the combination enables Faster Pussycat's status as an absolute masterpiece of subversion.
October 08, 2009
Sadly, Faster, Pussycat! Kill! Kill! sounds far better on paper than it actually plays.
March 02, 2005
This is the ultimate expression of the American cinema's greatest fetishes: big breasts, fast cars, tight jeans, and sudden death. This is, in its own way, one of the great films of the 60's.
January 01, 2000
What is it about Meyer that spurs critics to this hyperbole? I think it is an intensely personal reaction to the visceral power of Meyer's unusual images.
