Dead Man
Dead Man is the story of a young man's journey, both physically and spiritually, into very unfamiliar terrain. On the run after murdering a man, accountant William Blake encounters a strange North American man named Nobody who prepares him for his journey into the spiritual world.
21 April 1947, Ann Arbor, Michigan, USA
13 December 1957, Brooklyn, New York City, New York, USA
12 June 1953, Ohsweken, Ontario, Canada
28 August 1975, Philadelphia, Pennsylvania, USA
16 December 1934, Canton, Ohio, USA
12 May 1950, Dublin, Ireland
22 January 1940, Chesterfield, Derbyshire, England, UK
1957, Dallas, Texas, USA
4 August 1955, Hot Springs, Arkansas, USA
9 June 1963, Owensboro, Kentucky, USA
20 April 1964, New York City, New York, USA
6 August 1917, Bridgeport, Connecticut, USA
7 September 1946, Evansville, Indiana, USA
30 March 1972, Jerusalem, Israel
24 October 1957, Armour, South Dakota, USA
24 May 1953, London, England, UK
21 January 1958, Toronto, Ontario, Canada
24 August 1961, London, England, UK
8 October 1949
5 May 1940, New York City, New York, USA
August 29, 2005
Bad, but not uninteresting
January 09, 2012
It seems to be Blake's name as much as anything that propels the character deep into a strange frontier where Blakean ideals of innocence and integrity have been obliterated by ignorance and cruelty.
September 26, 2006
Quite exquisite. Beautiful, really.
April 03, 2005
Depp and Jarmusch combine for something fairly bizarre, yet quietly rewarding.
August 07, 2006
Characteristically meandering and sardonic, with Robby Muller's floating, shimmering camerawork, a catalog of witty cameos, and one of the most beautiful modern film-scores
January 01, 2000
Coy to a fault, the movie collapses under its own weight with 90 minutes to go, despite Robby MÃuller's impressive black-and-white photography, which puts the film on a higher artistic plane than other equally unbearable movies.
January 05, 2009
a low-key classic of strangely poetic beauty - a western for sleepwalkers and dreamers.
June 19, 2006
Minimalism defines this revisionist and challenging noir- Western, a welcome artistic departure from Jarmusch's increasingly tired and tiresome Downtown New York sensibility.
August 27, 2002
Visionary Western with interesting bits on the myth of the frontier, violence and artistic outlaws.
October 27, 2006
Jarmusch's lyrical update on the western genre is a real joy.
May 25, 2004
Jim Jarmusch's most stunning achievement.
December 30, 2006
I was held by Depp's transformation from white-man non-entity to the Jarmusch version of the affectless Man With No Name.
