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DIRECTORS OF "Boogie Woogie"
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CREATORS OF "Boogie Woogie"
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HEROES OF "Boogie Woogie"
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CRITICS OF "Boogie Woogie"
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NewsBlaze
Resource

September 02, 2010

Devilishly cynical eavesdropper art snob fare peering into the pretentious when not cruel machinations transpiring in the world of creative merchandise commerce.
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New York Times

April 23, 2010

[The film's characters] are so repellent that almost everyone outside the movie's fetid hothouse will want to flee to fresher air.
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Time Out
Resource

April 21, 2010

A travesty no matter how you look at it, this flaccid art-world farce is best approached as a landmark of dubious ensemble work.
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Eye for Film
Resource

May 16, 2010

Less the free-form, jazzy ensemble satire on the art world it aspires to be than an over-elaborate and under-funny undertaking by high quality actors who should know better.
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Tiny Mix Tapes
Resource

October 11, 2015

I don't begrudge Boogie Woogie's attacks on the art scene for its pretension, greed, and self-aggrandizement run rampant; I begrudge the fact that the film is guilty of these very same things.
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Variety

July 06, 2010

Boogie Woogie delivers little more than a lukewarm spoof.
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New York Post
Resource

April 23, 2010

Goes over the top now and then, but overall it's a lot of nasty fun.
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Independent (UK)
Resource

February 01, 2011

Duncan Ward's muddled satire about the London art world has a strong cast mugging for all their worth.
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BrianOrndorf.com
Resource

April 28, 2010

More of a paper cut, but one that's sufficiently nasty in a minor key, landing a few body blows where it matters the most, while successfully detailing the betrayal and schmoozing it takes to get to the top.
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New York Observer

April 21, 2010

A tepid spoof that only occasionally evokes a reluctant smile.
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About.com
Resource

May 09, 2010

The film cannot sustain the giddy, fast pace that sets it off.
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AV Club
Resource

April 22, 2010

The cast of superficial backstabbers, casual philanderers, and gibberish-spouting phonies has no original characters, but at least a few of the actors attack their roles with a zest that offsets their two-dimensionality.
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