Bangkok Dangerous
Remorseless assassin Joe (Nicolas Cage) is in Thailand to complete a series of contract killings for a crime boss called Surat (Nirattisai Kaljaruek). However, he violates his personal code when he falls for a local woman and bonds with his errand boy.
25 June 1978, Thailand
23 January 1967, London, England, UK
March 23, 2010
This has the look of a cheap quickie foreign film, not unlike a Hong Kong action film.
October 18, 2008
Tediously monotonous.
September 08, 2008
Awatchable, but dull action flick with not enough body count to satisfy the average mixed martial arts fanboy.
December 17, 2009
Between all the dates and dinners, Bangkok almost ends up being as less thriller and more travelogue; by the hour mark, there are literally more gulps than gunshots.
October 15, 2012
A promising film about a hit man that ultimately gets wacked because its star isn't suited for the role at all.
December 08, 2008
While the film includes several exciting, creatively shot action scenes, the drama is otherwise so shopworn that the violent climax is a relief.
September 11, 2008
Cage is believable as the brooding lone-wolf gunman, but the "hit man screwing himself by growing a conscience on his final kill" ploy needs to be put down for good.
October 14, 2012
At six foot plus, with his hair-plug mullet and his ice-white teeth, Cage sticks out like a sore thumb among the tiny Thai citizens, making for the most conspicuous hitman since Agent 47 rocked the bald head 'n' barcode combination.
November 08, 2008
o Nicolas Cage na periferei tis ektos eleghoy sapoynoperikes toy moytes kai ti geloia malloyra toy, se ena pompodi poiitikistiko ahtarma, poy bromaei ap' opoy ki an ton piaseis
September 08, 2008
Just another cycle of bombast and boredom.
November 20, 2008
A by-the-numbers retread that's ill-conceived as an action vehicle for Cage.
September 10, 2008
This is as stale as Tuesday's Phad Thai, from its exhausted mythos of the surgically efficient, omnipotent hit man to the training scenes in which Joe explains the trade to the new guy, to the inevitable betrayals of the third act.
