Anti-Social
Dee is an anarchic street-artist confronting the system, Marcus is an armed robber on a jewellery store crime-wave. For both Dee and Marcus, being Anti-Social is a way of life. Challenging the system, Dee's graffiti unintentionally enchants the art-elite and he enters the gallery world, embracing the lifestyle with fashion-model girlfriend Kirsten. Meanwhile, Marcus' daredevil heists gain him credibility with an organised-crime syndicate and his aspirations drastically escalate.
4 August 1981, Los Angeles, California, USA
September 16, 1964
18 August 1983, Miami, Florida, USA
29 July 1984
27 December 1984, Hungary
10 October 1971, UK
January 01, 2016
Only at the end does Anti-Social get going with a genuinely tense finale. Or perhaps I was just glad that everyone had stopped talking.
April 30, 2015
It's essentially constructed from crime-film cliches, that could claim a pension and, worst of all, it's way too long.
April 27, 2015
A painful slog through geezer-thriller terrain.
December 22, 2016
Writer-director Reg Traviss gives the shoot-outs plenty of welly, but the dialogue is mostly dire and the action sometimes grinds to a halt for an earnest oration on the politics of graffiti art or postcode gang violence.
May 04, 2015
Lairy geezer action sits awkwardly alongside dreary discussions of the politics of street art in writer/director Reg Traviss's uninspiring crime caper.
April 30, 2015
Traviss is clearly searching for cockney cool and "lots of layers, like life" but can't find either in the one-note flimsiness of the plastic plot that's worsened by weak ensemble acting.
April 30, 2015
The film displays remarkable energy and fun, although the London gangster milieu and its "blud'n'bruv" slang is overused.
