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Animal Factory
CRITICS OF "Animal Factory"
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Detour Magazine

November 17, 2002

there are two reasons to fast-forward this offering when it's released on video: (1) Mickey Rourke's over-the-top bejeweled drag queen and (2) Tom Arnold's truly rotten performance as a baddy who has the hots for boy-buns. Roseanne's finally gotten her re
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Village Voice

August 17, 2001

It's the relationship between Willem Dafoe, as Earl, the hard-time veteran, and Edward Furlong, as Ron, the new boy he takes under his wing, that makes the film so compelling.
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ColeSmithey.com
Resource

May 16, 2009

"Animal Factory" shows in unflinching scenes of stabbings, race riots, drug use, attempted rape, and constantly boiling chaotic violence, how hardened criminals are formed by incessant molding inside American penitentiaries.
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Netflix
Resource

November 07, 2002

Prison flick from ex-con screenwriter is raw and realistic, with powerful acting.
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RTÉ (Ireland)
Resource

August 14, 2003

What it does lack is a performance by Furlong that's the equal of Dafoe's.
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Salon.com
Resource

December 19, 2001

You come away with the sense that you should have come to care (or at least to know) more about its central characters than you do.
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Film.com

January 01, 2000

The bleakness and myriad cruelties of the prison system are telegraphed with a graceful touch.
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Entertainment Today
Resource

January 16, 2003

We may have seen this type of Animal before, but Furlong and Dafoe's work -- and Buscemi's honest, caring touch with these fringe-dwellers -- make it seem fresh.
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Moviehole

June 20, 2002

Similar to "Shawshank", "Animal Factory" is a far-less-established outing, but never the less interesting. Without the weighty support cast it mightn't have been as intriguing though, because there's a lack of depth missing from the screenplay
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TheMovieReport.com
Resource

January 17, 2010

The opaque performances offer little in the way of shading.
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Planet Sick-Boy

July 09, 2002

A scary and unflinching look at prison life.
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New York Times

January 01, 2000

A picture about adapting one's instincts, and Mr. Buscemi's deftness works well in this context.
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