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About Cherry

Description
A story of a high school girl Angelina, who leaves her toxic parents and moves to San Francisco with her best friend Andrew. She finds a job in a strip club and falls in love with a coke-addictive lawyer. She meets a porn director and starts to join the industry of making porn.
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DIRECTORS OF "About Cherry"
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HEROES OF "About Cherry"
About Cherry
CRITICS OF "About Cherry"
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Shared Darkness
Resource

October 08, 2012

Rather shockingly lacking in dynamic plotting, the film descends into mystifying incomprehensibility in its final reels, showing a lack of understanding of basic human motivations.
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Chicago Sun-Times
Resource

October 04, 2012

Here is a movie that suggests prostitution is something that just sort of happens to you, like Lyme disease.
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AV Club
Resource

September 20, 2012

It has a didactic undercurrent, making its main character into a beautiful blank, ready to blossom under the bright camera lights and to be unabashed in the face of the unenlightened.
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HollywoodChicago.com
Resource

October 05, 2012

So much of About Cherry is meant to titillate and dramatize but never humanize.
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Little White Lies
Resource

September 04, 2013

When a guilty perv is all a film has to offer by way of a protagonist then it's probably in the best interests of us all if it doesn't exist.
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Chicago Reader
Resource

October 04, 2012

Dramas about the porn industry range from expressions of puritanical rage to celebrations of open sexuality; this one manages to avoid both extremes, as well as anything else that might make it worth watching.
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New York Post
Resource

September 21, 2012

This is just a slow-moving skin flick broken up by lots of boring discussions about Cherry's future.
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Windy City Times
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November 11, 2012

almost laughably unsexy
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SSG Syndicate
Resource

September 25, 2012

Flimsy and fetishized, it delivers little more than a hackneyed skin flick.
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New York Daily News
Resource

September 20, 2012

Everything here is done badly.
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RedEye
Resource

October 04, 2012

Generates a sensual world existing on top of the real one, where many people work non-ideal jobs simply to pay the bills.
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New York Times

September 20, 2012

The fatal flaw ... is its refusal to examine Angelina's occupation from outside the bubble. You might even call it a recruitment film.
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