28 Weeks Later
The science fiction horror movie is a story of a deadly virus that spreads across Britain and is making people murder each other and be extremely violent.
29 November 1935, Scotland, UK
2 February 1983
24 July 1979, Balmain, Sydney, New South Wales, Australia
6 September 1972, Hackney, London, England, UK
1970, Bury, Greater Manchester, Manchester, England, UK
21 July 1977, Bootle, Liverpool, England, UK
9 September 1971, London, England, UK
21 November 1973, Monroe, Louisiana, USA
3 June 1989, London, England, UK
2 August 1971, Santa Barbara, California, USA
November 06, 2010
With its expertly paced thrills, unrelenting terror and apocalyptic despair, 28 Weeks Later ain't a bad roller coaster to ride.
June 20, 2007
There isn't much acting here, but there is entirely too much vomiting, and the prose turns laughably purple, too.
May 11, 2007
Relentlessly grim and grisly, 28 Weeks Later is not for the faint of heart. But its provocative post-apocalyptic theme makes for a smart and deeply unsettling film.
August 26, 2010
Apocalyptic zombie sequel isn't for the squeamish.
August 28, 2015
A damn worthy follow-up to an unexpectedly excellent chiller.
August 22, 2007
It's an exciting, well-directed thriller that, while providing more than enough action and gore to satisfy genre fans, also offers the political commentary that has characterized zombie movies.
May 21, 2007
Even though I knew the scares were coming, I jumped out of my seat a few times.
June 22, 2013
Isn't the same thinking man's zombie film as its predecessor, but it ramps up the action and will leave you on edge enough that you'll be searching for a nightlight before going to sleep.
July 07, 2010
28 Weeks Later contains many elements from the first film while also packing a much stronger emotional punch and ferocious intensity.
May 12, 2007
Under Fresnadillo's assured direction, 28 Weeks Later blurs the line between genre entertainment and a photojournalist's shots of the next urban catastrophe.
August 17, 2010
deft and stylish
May 12, 2007
Combines traditional B-movie virtues -- economy, invention, sinewy narrative spine -- with the eerily resonant spectacle of a 21st-century metropolis stripped of its citizenry.
