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Mikhail Baryshnikov

Mikhail Baryshnikov

Birthday: 28 January 1948, Riga, Latvia, USSR [now Latvia]
Birth Name: Mikhail Nikolaevitch Baryshnikov
Height: 170 cm

Boyishly cute, diminutive and strong as a bull, but as graceful as any gazelle or swan, Mikhail Baryshnikov is a household name even to non-balletomanes. Widely considered to be one of the greatest an ...Show More

Mikhail Baryshnikov
I think I got disappointed over the years about New York, about the States. You know, sometimes you Show more I think I got disappointed over the years about New York, about the States. You know, sometimes you go and visit Europe and see good old socialism in its good part! You see public concern about art, and young people's participation and young faces in the audience. Then you arrive in the States and it is $150 to go to an opera. Ridiculous. We have so much young talent on the streets, but because everything is commercial they finally drift away from their dream of their life. - The Daily Telegraph, 09/02/2004 Hide
There comes a moment in a young artist's life when he knows he has to bring something to the stage f Show more There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something out. Hide
No one is born a dancer. You have to want it more than anything. No one is born a dancer. You have to want it more than anything.
That somebody has the vision to put a few steps together and make a dance out of it, there is alread Show more That somebody has the vision to put a few steps together and make a dance out of it, there is already a certain power implanted. My job is much easier - it's just to put a light in it. - The Daily Telegraph, 09/02/2004 Hide
No matter what I try to do or explore, my Kirov training, my expertise, and my background call me to Show more No matter what I try to do or explore, my Kirov training, my expertise, and my background call me to return to dancing after all, because that's my real vocation, and I have to serve it. Hide
I am not the first straight dancer, nor the last. I am not the first straight dancer, nor the last.
I do not try to dance better than anyone else. I only try to to dance better than myself. I do not try to dance better than anyone else. I only try to to dance better than myself.
Dancers are made, not born. Dancers are made, not born.
[on being directed by Dmitry Krymov in a play, 2011] I myself didn't agree with many of his choices. Show more [on being directed by Dmitry Krymov in a play, 2011] I myself didn't agree with many of his choices. But I am not entitled to raise my objections. It's the same with a choreographer. If you commit, you should be a good foot soldier. This is not the place to be a general. Hide
[on the late Fred Astaire] "No dancer can watch him and not know that all the rest of us should be i Show more [on the late Fred Astaire] "No dancer can watch him and not know that all the rest of us should be in a different business. Astaire is remote. It's as if he were in an incubator, breathing his own air. His perfection is like crystal: you can see through it. It's hopeless to try and imitate him." Hide
Oh, that's nonsense. Sex symbol? A cup of tea will do it. Sex is overrated. Absolutely. Forget about Show more Oh, that's nonsense. Sex symbol? A cup of tea will do it. Sex is overrated. Absolutely. Forget about it. A good golf game, a nice conversation with friends, will do better. - On what it is like to be an international sex symbol. Hide
The essence of all art is to have pleasure in giving pleasure. The essence of all art is to have pleasure in giving pleasure.
[on the difficulty of acting in front of the camera, encountered while working on _White Nights (198 Show more [on the difficulty of acting in front of the camera, encountered while working on _White Nights (1985)_, and the help he received from acting coach Sandra Seacat, whom he'd met earlier through Jessica Lange, from 12/6/85 Washington Post profile] One of the main things was she helped me relax in front of the camera. The best acting I did on the set was in the improvisations before the takes - that gave me real satisfaction. But keeping the level when the camera was going, that was completely something else. Technicians placing the camera, the director behind you, your throat is dry, and you're trying to forget everything, all distractions, and ask yourself what is this scene really about - that's when the hard work starts. Hide
Mikhail Baryshnikov's FILMOGRAPHY
as Actor (20)
Mikhail Baryshnikov Mikhail Baryshnikov'S roles
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