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Gelsey Kirkland

Gelsey Kirkland

Birthday: December 29, 1952 in Bethlehem, Pennsylvania, USA
Height: 155 cm

Innocent-looking, girlish and pretty, this diminutive and emotional legendary ballerina has had more drama in her real-life than there ever was onstage. While she was called by Mikhail Baryshnikov, hi ...Show More

Ballet is surviving in the small towns of America, probably because parents send their children to l Show more Ballet is surviving in the small towns of America, probably because parents send their children to learn something that they perceive will help them, like playing a musical instrument. Whether this will survive in this modern world is certainly beyond my ability to answer. If there were money to support worthwhile artistic endeavors, rather than expecting them to generate money, maybe ballet at its best could survive. Hide
The meaning of dance is not contained in the individual steps any more than the meaning of a phrase Show more The meaning of dance is not contained in the individual steps any more than the meaning of a phrase of music is contained in the individual notes--the meaning of ballet was to be found in the development of a theme, in the relation of the compositional parts to the whole. Hide
(Advice to young dancers): "To work slowly, move against the tide. Listen and look behind the surfac Show more (Advice to young dancers): "To work slowly, move against the tide. Listen and look behind the surfaces of things. Look back in history. Look forward to hope and look beyond the mirror." Hide
In April of this year I taught at American Ballet Theatre in New York and hope to continue teaching Show more In April of this year I taught at American Ballet Theatre in New York and hope to continue teaching in the States. Currently we are working on a book project... based on how a dancer prepares for a role using ballet technique, mime and acting intentions. "Also we are starting to work on a series of CDs, music for several levels that can be used in ballet schools. Hide
I would like to take this opportunity to apologize to the people I offended in Dancing on My Grave, Show more I would like to take this opportunity to apologize to the people I offended in Dancing on My Grave, such as Baryshnikov and Peter Martins. I would have liked to have had the wisdom to keep my personal problems out of the work. But that's life. Hide
Fortunately for children, the uncertainities of the present always give way to the enchanted possibi Show more Fortunately for children, the uncertainities of the present always give way to the enchanted possibilities of the future. Hide
The nature of my passion was such that I danced with a passion to spite the music in my sleep. The e Show more The nature of my passion was such that I danced with a passion to spite the music in my sleep. The entire household was sometimes awakened by loud thumping noises coming from my room. Hide
The ballet can touch each one of us. It does this by having strict boundaries that encourage dancers Show more The ballet can touch each one of us. It does this by having strict boundaries that encourage dancers to refine their sense of movement, while struggling towards expression, sort of like squeezing a tube of toothpaste from the bottom and waiting patiently for it to finally overflow at the top. Hide
Dancing, being on stage? I can't say I really miss it. The thing is, my main love was always solving Show more Dancing, being on stage? I can't say I really miss it. The thing is, my main love was always solving the problems of dance interpretation, working in the studio and finding great solutions. That's really when I was happiest, and so I'm happiest now being able to pass on the knowledge I've acquired to other dancers, to help them solve their problems. Hide
Some say that the 70s and 80s were a golden era of ballet and just being a part of it was extraordin Show more Some say that the 70s and 80s were a golden era of ballet and just being a part of it was extraordinary. I remember working in the studio with a sense of being on a real journey with the teachers and coaches who gave their time freely to me. I'm eternally grateful to the late Stanley Williams, to Maggie Black, David Howard, Pilar Garcia, Greg Lawrence, and of course to all my long-suffering dancing partners. Hide
I think I have some special insights to give that come partly from a specific understanding of what Show more I think I have some special insights to give that come partly from a specific understanding of what American dancers, in particular, can contribute to these roles. I myself was extremely lucky, I had numbers of great role models -- ballerinas like Carla Fracci, Makarova and Fonteyn. And great teachers, Pilar Garcia, Stanley Williams, Maggie Black, David Howard. I got a lot from dancing with the Royal Ballet too -- the English dancers have such an enormous knowledge of the theater in their bodies. I really started to learn how to transmit my understandings in England. When Peter Schaufuss -- he was artistic director of the London Festival Ballet {since renamed the English National Ballet} at the time -- invited me to coach Trinidad Sevillano for her debut in 'Giselle' (she was 17 then), that was the beginning. Hide
(When going to Russia to see Baryshnikov dance): "I made a snap judgement: He was the greatest male Show more (When going to Russia to see Baryshnikov dance): "I made a snap judgement: He was the greatest male dancer on the face of the earth." Hide
[on puberty]: "When my breasts failed to develop, I began to wonder why I was not born a boy." [on puberty]: "When my breasts failed to develop, I began to wonder why I was not born a boy."
Gelsey Kirkland's FILMOGRAPHY
as Actor (9)
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